A gift for Didion’s many fans.
Candid interviews with a literary icon.
In nine interviews that span nearly 50 years, novelist, essayist, screenwriter, and memoirist Didion (1934-2021) responded to questions with thoughtful openness. Although Didion was not, as one interviewer noted, “what one would call a virtuoso conversationalist,” several interviews read like comfortable exchanges, notably with New Yorker theater critic Hilton Als and “Fresh Air” host Terry Gross. Talking with Als in 2006, Didion reflected on the trajectory of her career; her early aspirations; her self-doubts as a writer; the influences of Hemingway, Conrad (she reread Victory every time she began a new novel, she said), and the plays of Eugene O’Neill; and the challenges of fiction and nonfiction. “Writing fiction is for me a fraught business,” she told Als, “an occasion of daily dread for at least the first half of the novel, and sometimes all the way through.” Nonfiction, though, felt less threatening, “more like sculpture, a matter of shaping the research into the finished thing.” Talking about Didion’s memoir, The Year of Magical Thinking, Gross gently led the author into a conversation about grief after the deaths of her husband and daughter. Several interviews focus on Didion’s political stance, revealed in essays and novels such as Salvador and Miami. Describing herself once as libertarian, Didion explained that she was raised in “a western frontier ethic. That means being left alone and leaving others alone.” The politics she wanted, she told novelist Sara Davidson, “are anarchic. Throw out the laws. Tear it down. Start all over. That is very romantic because it presumes that left to their own devices, people would do good things for one another. I doubt,” she added ruefully, “that that’s true.” Although her last interview, conducted shortly before her death, was terse, the collection portrays a woman acutely sensitive “to the anguish of being a human being.” Other interviewers include Hari Kunzru, Dave Eggers, and Sheila Heti.
A gift for Didion’s many fans.Pub Date: June 28, 2022
ISBN: 978-1-68589-011-7
Page Count: 192
Publisher: Melville House
Review Posted Online: April 19, 2022
Kirkus Reviews Issue: May 15, 2022
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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