edited by Melvin Jules Bukiet ‧ RELEASE DATE: April 1, 2001
Tenderness mixes with rage, sorrow with bitterness, in this first-rate gathering of pieces by those who refuse to forget.
A superb anthology of prose work by members of the Second Generation.
Whether 18th-generation Germans or first-generation Americans, states novelist Bukiet (Strange Fire, 2001, etc.) in his elegant, somewhat contentious introductory essay, the children of Holocaust survivors indeed constitute a second generation for whom “there is no Before. In the beginning was Auschwitz.” Many of them, he notes, have become social workers, doctors, and other healers, but for the writers among them, healing is the least desirable response to what Bukiet usefully calls “the Khurbn,” the Yiddish term for catastrophe. (Because holocaust has been applied to so many other genocides since, he suggests, a new word needs to be found.) Healing is, after all, “another word for forgetting,” and those whose work Bukiet gathers here are determined to remember, even as they struggle with the problems attendant in bearing witness to events they experienced secondhand. This rich collection contains equal parts fiction and memoir; it is also, though Bukiet insists that “Hitler won” and Europe is now culturally Jew-less, evenly divided between contemporary European and American writers. Among its many highlights: Eva Hoffman’s recollections of growing up in post-Holocaust Poland subject to quotidian anti-Semitism; Val Vinokurov’s wonderful account of life in modern Miami, a city full of Holocaust survivors and “Jubans” (Cuban Jews) who are sometimes at odds with one another; and an excerpt from Esther Dischereit’s ironic fictional treatment of Jewish life in 1970s Germany. Bukiet’s own contribution, a Borgesian short story called “The Library of Moloch,” scores points for irony, too, and for its thought-provoking take on why it is important to remember the evils of the past.
Tenderness mixes with rage, sorrow with bitterness, in this first-rate gathering of pieces by those who refuse to forget.Pub Date: April 1, 2001
ISBN: 0-393-05046-7
Page Count: 384
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2002
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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