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THE SISTERS GRIMM

This is a fantasy premise with great potential, but too much experimentation doesn’t allow it to thrive.

On their shared 18th birthday, four half sisters, who’ve only met in a dream world, must fight to the death to appease their demonic father, the nefarious Wilhelm Grimm.

Cambridge residents Goldie, Scarlet, Bea, and Liyana don’t remember meeting each other in their childhood dreams of visiting Everwhere. They don’t remember the immense powers they possessed there—powers of earth, air, water, and fire. Indeed, they have no idea they have sisters or who their father really is. But as their 18th birthday fast approaches, their powers begin to manifest in the real world. Their father’s soldiers, fallen stars disguised as men forever destined to hunt “Grimm Girls,” soon close in on their quarries. Only Leo, who inexplicably finds himself falling for Goldie, questions the point of this battle between good and evil and if he can bring himself to kill Goldie, thereby sacrificing himself. As each girl is drawn to one another, to their hunters, and to Everwhere, they must choose a path of light or darkness. The winner of the battle, as far as Grimm is concerned, will help him shape the dark fate of the mortal world. This tale is van Praag’s (The Dress Shop of Dreams, 2014, etc.) first attempt at a fantasy epic and, unlike her previous work, suffers from a muddled premise, vague stakes that don’t become clear until halfway through the book, and narration-induced whiplash. She jumps too quickly between several out-of-sequence chronologies and many different characters’ points of view. Meanwhile, the reader can't be sure who is actually telling this story—Goldie, who narrates some sections in first person, an omniscient narrator who sometimes talks to “you,” or whomever is telling the other characters’ sections from a third-person-limited perspective. On worldbuilding alone, van Praag’s atmospheric prose, intriguing premise, and diverse cast of characters receive high marks, but fantasy isn’t just about worldbuilding. There simply isn’t enough time spent with each character for readers to connect with them. Being cagey about key story elements does this plot a disservice as well. And while it’s admirable that van Praag tackles themes of surviving child abuse, violence, and sexual assault, along with caring for grandparents and parents with mental illnesses, they sadly often get lost in the meandering narrative.

This is a fantasy premise with great potential, but too much experimentation doesn’t allow it to thrive.

Pub Date: March 31, 2020

ISBN: 978-0-06-293246-4

Page Count: 448

Publisher: Harper Voyager

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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A BLIGHT OF BLACKWINGS

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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