Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2017

Next book

SO YOU WANT TO BE A ROBOT

A sparkling sequence of tales that bends and flips familiar ideas and fantastic visions.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2017

Divergent characters find themselves in startling situations in this debut collection of unconventional sci-fi and fantasy stories.

There is no guiding principle running through these tales save that they all look beyond the world as readers discern it, challenging—as the best speculative fiction does—a number of preconceived notions. Some might think that the relatable would be difficult to discover in a story about a lonely robot raising orphaned dinosaurs or two friends becoming cut off from each other by the untimely, unexpected closing of doors between worlds, but that dismissal would be premature. While each tale asks readers to forget what they know of the cosmos, identity, gender, or the ordinary, that request comes not in order to fill their minds with convoluted new concepts but rather to twist basic facts into inventive shapes. Someone accidentally cursed to be reborn as a rose sheds light on the symbols readers choose for their affections and how they value them. A non–fairy tale about a girl and a monster she once knew gives readers the ability to overturn the scripts of their own lives and realize who they—and their friends—truly are, however they might be judged. A shadow cast from inside a black hole peels away layers of loss and grief. And “How to Become a Robot in 12 Easy Steps,” centered on longing, tells a surprising, touching tale about those who fail to fit in and how they can carve out spaces of their own. There’s a tremendous variety in these stories: long and short, happy and sad, taking twists and turns or running in blazing straight lines. But what they all have in common is a sense of wonder (“The moment I knew I could love this robot was when the robot asked what I would like to be called. ‘Tesla,’ I said, and the blue LED smiley face in the upper corner of the robot’s screen flickered in a shy smile”). There is a strange power in the realms beyond this universe or hidden in plain sight, and Rustad captures it from myriad angles. The circumstances may be bizarre, but the characters are blindingly real, and it’s only through that combination that these pieces can cut so unflinchingly to the heart.

A sparkling sequence of tales that bends and flips familiar ideas and fantastic visions.

Pub Date: N/A

ISBN: 978-1-59021-641-5

Page Count: -

Publisher: Lethe Press

Review Posted Online: March 7, 2017

Kirkus Reviews Issue: May 1, 2017

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Next book

THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

Categories:
Close Quickview