A sparkling sequence of tales that bends and flips familiar ideas and fantastic visions.
Divergent characters find themselves in startling situations in this debut collection of unconventional sci-fi and fantasy stories.
There is no guiding principle running through these tales save that they all look beyond the world as readers discern it, challenging—as the best speculative fiction does—a number of preconceived notions. Some might think that the relatable would be difficult to discover in a story about a lonely robot raising orphaned dinosaurs or two friends becoming cut off from each other by the untimely, unexpected closing of doors between worlds, but that dismissal would be premature. While each tale asks readers to forget what they know of the cosmos, identity, gender, or the ordinary, that request comes not in order to fill their minds with convoluted new concepts but rather to twist basic facts into inventive shapes. Someone accidentally cursed to be reborn as a rose sheds light on the symbols readers choose for their affections and how they value them. A non–fairy tale about a girl and a monster she once knew gives readers the ability to overturn the scripts of their own lives and realize who they—and their friends—truly are, however they might be judged. A shadow cast from inside a black hole peels away layers of loss and grief. And “How to Become a Robot in 12 Easy Steps,” centered on longing, tells a surprising, touching tale about those who fail to fit in and how they can carve out spaces of their own. There’s a tremendous variety in these stories: long and short, happy and sad, taking twists and turns or running in blazing straight lines. But what they all have in common is a sense of wonder (“The moment I knew I could love this robot was when the robot asked what I would like to be called. ‘Tesla,’ I said, and the blue LED smiley face in the upper corner of the robot’s screen flickered in a shy smile”). There is a strange power in the realms beyond this universe or hidden in plain sight, and Rustad captures it from myriad angles. The circumstances may be bizarre, but the characters are blindingly real, and it’s only through that combination that these pieces can cut so unflinchingly to the heart.
A sparkling sequence of tales that bends and flips familiar ideas and fantastic visions.Pub Date: N/A
ISBN: 978-1-59021-641-5
Page Count: -
Publisher: Lethe Press
Review Posted Online: March 7, 2017
Kirkus Reviews Issue: May 1, 2017
Review Program: Kirkus Indie
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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