Engrossing story of the Balzac-scaled life of the great architect. Wright (1867-1959) was born in Wisconsin to a Welsh family of radical thinkers and was nurtured to be an architect by his mother, who told him he was destined for greatness. He dropped out of the Univ. of Wisconsin after two semesters to take a draftsman's job at $8.00 a week, and soon was working for the master architect Louis Sullivan (inventor of the skyscraper). Within a year, Wright had become chief designer at Adler and Sullivan and also had married the first of his three wives. In the next 30 years, he was to abandon his wife and six children (and his phenomenally successful practice), calling marriage a ``barnyard institution. I am a wild bird''; marry a morphine- addicted heiress and follower of Mary Baker Eddy who was killed by an axe-stroke to the brain by an insane servant; marry a Serbian beauty 30 years his junior who was an instructor for G.I. Gurdjieff; build his beloved house Taliesen (East) three times— it twice burned to the ground; time and again ingeniously raise prodigious sums of money and spend them in profligate excess; revive his career with the building of the Imperial Hotel in Tokyo—the only major structure to remain undamaged in the largest earthquake of the century in 1923 in Japan; and go on to greater triumphs, culminating with the Guggenheim Museum in 1956. Secrest (Salvador Dali, 1986, etc.), who had access to the newly opened archives at Wright's Memorial Foundation, does a superb job in telling the human side of Wright's story. And without allowing it to overmaster her narrative, she provides clear architectural background to explicate Wright's designs, stature, and influence. Definitive. (Photographs—121—some seen.)
Pub Date: Sept. 9, 1992
ISBN: 0-394-56436-7
Page Count: 688
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1992
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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