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KNOCKOUT

A vibrant, motivational debut memoir.

The dramatic life trajectory of an international fashion model.

Kang’s story begins in Hong Kong in the 1990s, where she grew up with a host of stepsiblings within a familial “mixed bag of Asian and Caucasian lineage.” Though overweight and fat-shamed in school, she found solace traveling with her father while cringing from the cruelty of her Korean mother’s rampant alcoholic rages. Kang soon found motivation in a dangerous crash diet that shaved a third of her bodyweight in just four months. At the suggestion of her modern dance teacher, she approached modeling agencies and scored a lucrative contract at age 17 that took her around the world and garnered her long-awaited attention from men. Rushing in behind that sudden fame, however, came body-image issues and toxic relationships with drugs, transient friends, and a grab bag of potent laxatives and diuretics able “to get me to shrivel down to the smallest possible Mia I could be.” The author delivers the gritty details via a raw, street-wise narrative voice that feels engrossingly authentic. As her modeling career took off, the industry’s dark-sided pitfalls came into focus. “Everything about me was the same except that number on the scale,” she writes, “but that seemed to have determined my whole life.” She continued to struggle with eating disorders, drug addiction, and an obsession with maintaining the coveted “thigh gap.” During a vacation in Thailand, Kang accidentally discovered and fell in love with the martial art of muay thai, which eventually freed her mind and shocked her body into a healthier new direction that she believes saved her life and inspired the sobriety she enjoys today. A closing letter to her younger self reflects on her mistakes and the epiphanies that rescued her mind and body. Budding models and those who have ever battled weight issues or drug dependency will find Kang’s transformational narrative rewarding.

A vibrant, motivational debut memoir.

Pub Date: Oct. 20, 2020

ISBN: 978-1-4197-4332-0

Page Count: 288

Publisher: Abrams

Review Posted Online: Aug. 31, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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