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I CAN'T DATE JESUS

LOVE, SEX, FAMILY, RACE, AND OTHER REASONS I'VE PUT MY FAITH IN BEYONCÉ

A funny, fierce, and bold memoir in essays.

A gay black journalist gets personal about race, religion, and sexuality in America.

Houston native Arceneaux gathers his most provocative essays to discuss how he went about “unlearning every damaging thing I’ve seen and heard about my identity.” He begins with a reflection of his childhood and his devoutly Catholic—and homophobic—home environment. Although his mother taught him about sexuality early on, his father ferociously condemned a gay uncle who died of AIDS. Fearful of being revealed as homosexual, the author spent much of his adolescence masturbating to mental images of gorgeous men while praying that “God wouldn't grab Moses’s staff and knock the shit out of me with it.” When a priest approached him about joining the priesthood, Arceneaux realized he had to come to terms with who he was. The author experimented with same-sex relationships at Howard University, but he remained mostly closeted. After taking part in a New York City gay pride parade during college, he tentatively began coming out, first to other students and then to his sister. The music of Beyoncé—his “lord and gyrator” and a woman notable for how she always “[stood] firm” in who she was as an artist and black woman—also helped him find the courage to be himself. As Arceneaux grew into his gay identity, he contemplated the nature of gay marriage, cross-racial gay attractions, and his own relationships with other black men. He attempted to write about his revelations for the media, but when he did, his (mostly white) editors saw what “[they] wanted to see” rather than the truths he attempted to communicate. Arceneaux’s essays penetrate to the heart of intersectionality to reveal personal and religious trials of faith. Together, they make a powerful statement of self-acceptance in a world much in need of lessons about diversity, tolerance, and openness.

A funny, fierce, and bold memoir in essays.

Pub Date: July 24, 2018

ISBN: 978-1-5011-7885-6

Page Count: 256

Publisher: Atria

Review Posted Online: April 29, 2018

Kirkus Reviews Issue: May 15, 2018

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2015


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  • IndieBound Bestseller


  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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