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COUNT GEIGER'S BLUES

Another distinctive fantasy featuring a dying protagonist (as in Unicorn Mountain, 1988), this one set in the mythical southern state of Oconee and its largest city, Salonika. After cultural-snob Xavier Thaxton, Fine Arts editor of the Salonika Suburbanite, swims in a pond whose waters (unbeknownst to Xavier) are contaminated with illegally dumped radioactive waste, his life takes a strange turn. He acquires a fashion-designer girlfriend and, much less welcome, a roomie, his retropunk nephew, the Mick, a dedicated fan of UC superhero comics. Following the launch of a new comic character, Count Geiger (he acquires superpowers after exposure to radiation), Xavier and the Mick quarrel over Xavier's condemnation of comics in general and Count Geiger in particular. Soon, however, Xavier develops a strange malady: culture—opera, literature, whatever—makes him sick; the only cure is a dose of lowbrow realism...especially the Mick's comics and rock music. In the hope that constant contact might alleviate his symptoms, Xavier takes to wearing a Count Geiger suit underneath his clothes. But then Count Geiger's creator, blaming Xavier's hostile column for his firing by UC, shoots Xavier—who, far from ending up dead, finds he can expel the bullets and heal right up! Days later, he defeats four would-be subway muggers in comic-book style: somehow, he has become Count Geiger! Not only that, but Xavier now approves of comics and rock music. He starts a crusade to heighten the social awareness of Salonika's stubbornly reactionary inhabitants. Then, as another shipment of illegally dumped nuclear waste comes to light, Xavier realizes that he is dying, though he lives to see the owner of UC comics convicted for masterminding the dumping. Social-conscience-tweaker, tear-jerker, environmental- consciousness-raiser, or just plain if ponderous fun? Witty, often admirable work but with a hidden agenda that grates.

Pub Date: July 1, 1992

ISBN: 0-312-85199-5

Page Count: 320

Publisher: Tor

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1992

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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I, ROBOT

A new edition of the by now classic collection of affiliated stories which has already established its deserved longevity.

Pub Date: Aug. 16, 1963

ISBN: 055338256X

Page Count: -

Publisher: Doubleday

Review Posted Online: Sept. 13, 2011

Kirkus Reviews Issue: Aug. 1, 1963

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