From the author of such noted works as Unicorn Mountain (1988), No Enemy But Time (1982), and others comes this remarkable novel, set in 1943, inspired by bush-league baseball and—it sounds incongruous, but Bishop pulls it off brilliantly—literature's most famous monster. Talented 17-year-old shortstop Danny Boles leaves Tenkiller, Oklahoma, to join the Hellbridge Hellbenders, a class C farm club in Georgia's Chattahoochee Valley League—but on the train to Hellbridge he's robbed and brutally raped, and loses his ability to speak. The Hellbenders' manager, Mister JayMac, rooms Danny with first-baseman Henry ``Jumbo'' Clerval, who, despite his intimidating yellow eyes, huge bulk, mysterious scars, and awesome hitting, turns out to be a gentle and understanding companion. Yet Henry is not what he seems: He talks a courtly, old-fashioned English and keeps secret papers hidden under his bed inside a kayak he claims to have made himself. He is, of course, Frankenstein's monster (savvy readers will have been tipped off by the name). After wandering in the Arctic for many years seeking redemption, immortal Henry came to Georgia—and discovered baseball. Danny soon wins the starting shortstop's job, to the chagrin of the incumbent, Buck Hoey, who nurses a deep resentment of the youngster. Through the summer of 1943, the complications mount: the Hellbenders, in the thick of a pennant race, lose their star centerfielder, a hemophiliac, in a bizarre accident during a game on an army base with a team of Negro All-Stars; Hoey is traded to the team's pennant rivals, the Gendarmes; during the last, crucial game of the season, with Danny and Henry slated to join the Philadelphia Phillies, Hoey extracts a horrid revenge. Resonantly evocative of time and place, with a splendid gallery of characters in a beautifully reticulated plot.
Pub Date: April 15, 1994
ISBN: 0-553-08136-5
Page Count: 512
Publisher: Bantam
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: March 1, 1994
Categories: GENERAL FICTION
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A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.
Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?
An enjoyable, cozy novel that touches on tough topics.Pub Date: Feb. 4, 2020
ISBN: 978-1-9848-7861-8
Page Count: 368
Publisher: Pamela Dorman/Viking
Review Posted Online: Oct. 27, 2019
Kirkus Reviews Issue: Nov. 15, 2019
Categories: GENERAL FICTION | FAMILY LIFE & FRIENDSHIP
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A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
Categories: GENERAL FICTION
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