From the author of such noted works as Unicorn Mountain (1988), No Enemy But Time (1982), and others comes this remarkable novel, set in 1943, inspired by bush-league baseball and—it sounds incongruous, but Bishop pulls it off brilliantly—literature's most famous monster. Talented 17-year-old shortstop Danny Boles leaves Tenkiller, Oklahoma, to join the Hellbridge Hellbenders, a class C farm club in Georgia's Chattahoochee Valley League—but on the train to Hellbridge he's robbed and brutally raped, and loses his ability to speak. The Hellbenders' manager, Mister JayMac, rooms Danny with first-baseman Henry ``Jumbo'' Clerval, who, despite his intimidating yellow eyes, huge bulk, mysterious scars, and awesome hitting, turns out to be a gentle and understanding companion. Yet Henry is not what he seems: He talks a courtly, old-fashioned English and keeps secret papers hidden under his bed inside a kayak he claims to have made himself. He is, of course, Frankenstein's monster (savvy readers will have been tipped off by the name). After wandering in the Arctic for many years seeking redemption, immortal Henry came to Georgia—and discovered baseball. Danny soon wins the starting shortstop's job, to the chagrin of the incumbent, Buck Hoey, who nurses a deep resentment of the youngster. Through the summer of 1943, the complications mount: the Hellbenders, in the thick of a pennant race, lose their star centerfielder, a hemophiliac, in a bizarre accident during a game on an army base with a team of Negro All-Stars; Hoey is traded to the team's pennant rivals, the Gendarmes; during the last, crucial game of the season, with Danny and Henry slated to join the Philadelphia Phillies, Hoey extracts a horrid revenge. Resonantly evocative of time and place, with a splendid gallery of characters in a beautifully reticulated plot.
Pub Date: April 15, 1994
ISBN: 0-553-08136-5
Page Count: 512
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1994
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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