by Michael Collins ‧ RELEASE DATE: Oct. 1, 2002
Fast, witty, and fun: highly entertaining but also highly forgettable.
A fortune-hunting scoundrel helps solve a murder case, in a picaresque thriller from Irish writer Collins (The Keepers of Truth, not reviewed, etc.).
Frank Cassidy is not the most sentimental guy in the world, so when he learns that his uncle Ward has been murdered, his first thought is the inheritance: Frank had gone to live with Ward’s family as a boy after his own parents died in a house fire, and now he figures he can claim a chunk of Ward’s farm. On Michigan’s remote Upper Peninsula, the farm is now being run by Frank’s cousin Norman, who naturally refuses to send Frank money to come out from New Jersey to dispute his claim to the estate. But that’s not enough to stop Frank, who proceeds to make the trip (in the company of his wife Honey, stepson Robert Lee, and son Ernie) in a succession of stolen cars, eating food pilfered from rest-stop vending machines. In Michigan, Frank is astonished to learn that Ward’s suspected murderer is believed to be Chester Green, a boyhood friend from a neighboring farm who was thought to have died years ago. But the question of identity is a tricky one: the suspect tried to hang himself in prison and is now sunk in a deep coma, and an exhumation shows Chester Green’s coffin to be empty. And there are more complications, involving “resurrectionists” (grave robbers) and the true fate of Frank’s father in that fire of so many years ago. Even poor, hapless Norman—a truly innocent-seeming man who wants nothing more than to keep the farm he grew up on for himself and his family—comes under police suspicion. Maybe a situation as duplicitous as this can be made sense of only by a sleazy, dishonest scumbag—like Frank. You have to send a thief to catch one, right?
Fast, witty, and fun: highly entertaining but also highly forgettable.Pub Date: Oct. 1, 2002
ISBN: 0-7432-2904-5
Page Count: 304
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
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by Sally Rooney ‧ RELEASE DATE: April 16, 2019
Absolutely enthralling. Read it.
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A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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BOOK TO SCREEN
by Toni Morrison ‧ RELEASE DATE: Oct. 29, 1970
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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