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THE BURNING ROOM

Expect Bosch to uncover a nest of vipers as powerful as they are untouchable, but don’t expect him to emerge from his...

The latest and most intricate of Harry Bosch’s cold cases (The Black Box, 2012, etc.) begins with a victim who’s still cooling off in the morgue.

Orlando Merced was shot 10 years ago by a sniper who fired into his band, Los Reyes Jalisco, as it played on Mariachi Plaza. He’s just now died of blood poisoning, but the coroner’s office is calling it murder, since the cause was the bullet that’s been lodged in his body all these years. Ex–Los Angeles mayor Armando Zeyas, who can’t resist grandstanding on behalf of the dead man who played at his wedding, offers a $50,000 reward guaranteed to bring the crazies out of the woodwork, and one of the callers tells Bosch’s very junior new partner, Detective Lucia Soto, that the shooting is linked to a 1993 fire at the Bonnie Brae apartments that killed nine victims, most of them children. Since Soto survived that fire as a child and had friends who didn’t, she comes to full alert when the anonymous tipster claims Merced was killed because he knew who set the fire. The two crimes are both linked, it turns out, to another crime, the violent robbery of an EZBank the same day as the Bonnie Brae arson. Though the felonies may be ancient, Connelly (The Gods of Guilt, 2013, etc.) maintains a rapid pace, steadily increasing the tension even after the solution becomes obvious. Following Bosch’s trail is like watching Lew Archer in the glory days of Ross Macdonald, except Connelly’s focus is social, political and ultimately professional rather than psychological.

Expect Bosch to uncover a nest of vipers as powerful as they are untouchable, but don’t expect him to emerge from his Herculean labors a happy man.

Pub Date: Nov. 3, 2014

ISBN: 978-0-316-22593-9

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Oct. 4, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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LABYRINTH

Greed, love, and extrasensory abilities combine in two middling mysteries.

Coulter’s treasured FBI agents take on two cases marked by danger and personal involvement.

Dillon Savitch and his wife, Lacey Sherlock, have special abilities that have served them well in law enforcement (Paradox, 2018, etc.). But that doesn't prevent Sherlock’s car from hitting a running man after having been struck by a speeding SUV that runs a red light. The runner, though clearly injured, continues on his way and disappears. Not so the SUV driver, a security engineer for the Bexholt Group, which has ties to government agencies. Sherlock’s own concussion causes memory loss so severe that she doesn’t recognize Savitch or remember their son, Sean. The whole incident seems more suspicious when a blood test from the splatter of the man Sherlock hit reveals that he’s Justice Cummings, an analyst for the CIA. The agency’s refusal to cooperate makes Savitch certain that Bexholt is involved in a deep-laid plot. Meanwhile, Special Agent Griffin Hammersmith is visiting friends who run a cafe in the touristy Virginia town of Gaffers Ridge. Hammersmith, who has psychic abilities, is taken aback when he hears in his mind a woman’s cry for help. Reporter Carson DeSilva, who came to the area to interview a Nobel Prize winner, also has psychic abilities, and she overhears the thoughts of Rafer Bodine, a young man who has apparently kidnapped and possibly murdered three teenage girls. Unluckily, she blurts out her thoughts, and she’s snatched and tied up in a cellar by Bodine. Bodine may be a killer, but he’s also the nephew of the sheriff and the son of the local bigwig. So the sheriff arrests Hammersmith and refuses to accept his FBI credentials. Bodine's mother has psychic powers strong enough to kill, but she meets her match in Hammersmith, DeSilva, Savitch, and Sherlock.

Greed, love, and extrasensory abilities combine in two middling mysteries.

Pub Date: July 30, 2019

ISBN: 978-1-5011-9365-1

Page Count: 512

Publisher: Simon & Schuster

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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THE STAND

Striking a far less hysterical tone than in The Shining, King has written his most sweeping horror novel in The Stand, though it may lack the spinal jingles of Salem's Lot. In part this is because The Stand, with its flow of hundreds of brand-name products, is a kind of inventory of American culture. "Superflu" has hit the U.S. and the world, rapidly wiping out the whole of civilization—excepting the one-half of one percent who are immune. Superflu is a virus with a shifting antigen base; that is, it can kill every type of antibody the human organism can muster against it. Immunity seems to be a gift from God—or the Devil. The Devil himself has become embodied in a clairvoyant called Randall Flagg, a phantom-y fellow who walks highways and is known variously as "the dark man" or "the Walking Dude" and who has set up a new empire in Las Vegas where he rules by fear, his hair giving off sparks while he floats in the lotus position. He is very angry because the immune folks in the Free Zone up at Boulder have sent a small force against him; they get their message from Him (God) through a dying black crone named Abigail, who is also clairvoyant. There are only four in this Boulder crew, led by Stu Redman from East Texas, who is in love with pregnant Fran back in the Free Zone. Good and Evil come to an atomic clash at the climax, the Book of Revelations working itself out rather too explicitly. But more importantly, there are memorable scenes of the superflu spreading hideously, Fifth Avenue choked with dead cars, Flagg's minions putting up fresh lightbulbs all over Vegas. . . . Some King fans will be put off by the pretensions here; most will embrace them along with the earthier chilis.

Pub Date: Nov. 3, 1978

ISBN: 0307743683

Page Count: 1450

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: Nov. 1, 1978

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