Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

MONTECITO

A marvelously entertaining suspense tale.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

A man lands a dream job that’s too good to be true in Cox’s thriller.

Hollis Crawford of Montecito is a talented man—he’s a whiz at computer programming—but he’s saddled with “substandard emotional intelligence,” a near inability to read others and negotiate the rocky terrain of professional relationships. As a result, the socially awkward and physically clumsy man is fired from three jobs in seven years. Once again unemployed, he is forced to rely upon the vastly superior corporate skills of his wife, Cricket, to provide for him and their two children. Hollis’ luck seems to change when he meets Cyrus Wimby and his wife, Genevieve, new neighbors who are as ostentatiously wealthy as they are urbanely cosmopolitan—they travel all over the globe, own a stable of horses, and buy a winery to pursue a fun hobby. Cyrus reveals that his latest entrepreneurial venture is sure to make an unbelievable fortune and “single-handedly change the face of global trade,” and he hires Hollis to be the CEO of his company, ExOh Holdings. Hollis accepts what seems like the opportunity of a lifetime but quickly finds cause for discomfiting suspicion. At first, the signs are relatively innocuous: The website bios of all the principal players, including Cyrus, contain factual inaccuracies. Later, the clues become more troubling; Cyrus insists that Hollis sign bank statements without having read them first, a bizarre and indefensible request. The persuasive Cyrus manipulates Hollis into feeling guilty about his reasonable concerns, a talent portrayed artfully by the author. When Hollis is slow to acquiesce to Cyrus’ demands, he both coaxes and pushes: “Take your time, Hollis….Take all the time you need. But if you want to be the Chief Executive Officer of ExOh Holdings, I need your unwavering, undivided, uncompromised trust. If you cannot do that, then I’m afraid we can’t work together.”

In one sense, the plot is fairly predictable—the reader knows with certainty early on that Cyrus’ business is some kind of fraud. In fact, most readers will be much sharper than Hollis, who is painfully slow to read the boldfaced handwriting on the wall. This is the trickiest part of the novel—Cox wants to make Hollis’ almost childlike credulity believable. With impressive skill, Cox conveys Hollis’ lack of savvy and his common sense–nullifying desire to finally become a success and justify his wife’s unwavering love. His professional mediocrity is particularly conspicuous, and painful, in a place like the star-studded Montecito: “I saw Julia-Louis Dreyfus at the Montecito Village Grocery. I saw Ellen DeGeneres and Portia de Rossi walking Padaro beach. I saw Oprah Winfrey at a candlelight vigil after the Montecito mudslides. I passed Jack Johnson carrying his surfboard down the Hammonds Trail. I saw Prince Harry riding his bicycle.” Cox sensitively and intelligently explores Hollis’ vulnerabilities, and out of that perceptive psychological profile spins a gripping crime drama. This is an engrossing story, both thoughtful and exciting.

A marvelously entertaining suspense tale.

Pub Date: June 30, 2026

ISBN: 9798987960226

Page Count: 353

Publisher: N/A

Review Posted Online: April 22, 2026

Next book

THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

Awards & Accolades

Likes

  • Readers Vote
  • 183


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

Awards & Accolades

Likes

  • Readers Vote
  • 183


  • New York Times Bestseller


  • IndieBound Bestseller

A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

Close Quickview