A brisk and realistic crime story strengthened by thoughtful characterization.
A turf war between gangs drives one man to the edge to survive in Dault’s thriller.
In Michigan’s Upper Peninsula, Cy Ford is a conservation officer for the Department of Natural Resources (a fictional U.S. government agency) with a fake name and a hidden, tortured past. His closest friends are fellow officers Jett Prevo, who’s as extroverted and friendly as they come, and sharp Avery Kinnomen. During the winter, the three smuggle drugs into Canada across ice and snow for significant cash. The trio are well on their way to wealth when a war suddenly erupts between two crime families. Oscar Easter, the head of one, is keen for his son, Ray, to take over the family business, but his offspring is failing to live up to his standards; on the other side, Niko Krowchuck wants to uphold his own family’s storied criminal legacy. Cy, Jett, and Avery work for Niko’s gang, and when one of the three becomes a casualty of the conflict, the remaining friends have an opportunity to change sides. Both gangs want Cy to complete impossible tasks, and he’d much rather run away, as he has no roots in the community; however, his partner in crime must decide what really matters to them and what they’ll do to survive. Over the course of this fine thriller, Dault lays out a fast-paced and consistently exciting plot with a grounded prose style that yields some electrifying scenes. He also skillfully details his major characters’ complex and morally gray natures in a manner that always feels natural and realistic. Cy is revealed to be conflicted by opposing wants and needs, and Dault does not shy away from showing his unsavory characteristics. Similarly, Niko and Ray are portrayed as truly multidimensional antagonists.
A brisk and realistic crime story strengthened by thoughtful characterization.Pub Date: Nov. 5, 2021
ISBN: 978-1-952439-19-3
Page Count: 220
Publisher: Moonshine Cove Publishing, LLC
Review Posted Online: Feb. 2, 2022
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Squeamish readers will find this isn’t their cup of tea.
Dexter meets Killing Eve in Wallace’s dark comic thriller debut.
While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.
Squeamish readers will find this isn’t their cup of tea.Pub Date: April 16, 2024
ISBN: 9780143136170
Page Count: 336
Publisher: Penguin
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
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