by Michael Duda ‧ RELEASE DATE: Aug. 17, 2019
A fair set of SF tales that seems like an appetizer to a future full-course meal.
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Duda (Deny the Father, 2016) presents four SF short stories featuring androids and a shoeshine boy, among other characters.
In the eponymous tale, an android named Markey VI orbits Earth in a space station, along with a powerful artificial intelligence called David, who appears to be tasked with restoring life to a homeworld that human beings destroyed. It turns out that the friendly but naïve and ultralogical, Markey IV is crucial to David’s decision about whether to proceed with the mission. In “Last of Lasts,” a trio of hard-luck human subjects are being used in experiments involving untapped mental powers. The callous scientist in charge of the project presses them to complete an experiment (known as “Threading,” one of many weaving references), despite the potential danger—especially to a woman named Jan, who seems to be a catalyst for a blossoming of psychic energy. By acting in concert, however, the three subjects turn the tables. “Waking from an Eternal Sleep” takes readers into a primitive alien culture. It’s also being exploited by science—in this case, by human interplanetary invaders, who’ve provided these people with a false religion and rituals in order to divide and conquer them. But the dwellers of the “village of Dinnish Pa’kor” prove to be no fools, and they see through the ruse. “Jump Trains and Simultaneity” takes a retro-futurist tone; its hero, Bobby, is a humble, 13-year-old shoeshine boy eking out a living alone with his dog in a deep-space transportation hub called “Chicago VI.” Apparently, even space travelers need shoeshines, but Bobby draws the interest of Theodore Rattletrap, a “Xenoarchaeologist,” who offers him a way out of his hardscrabble, dead-end life. The final story is the only one told from a first-person perspective, and it’s perhaps the most fully realized one here, in terms of setting and characterization. Duda is a dab hand at Damon Runyon-isms (“You must know I bought a ticket to Scram City, population you”), which effectively create a future-1930s ambiance; indeed, one could easily imagine “Jump Trains and Simultaneity” being the first chapter of a novel. As it is, though, it feels unfinished. The other tales, however, are rather more self-contained, and somewhat reminiscent of the more fablelike writings of Ursula K. Le Guin and other SF grandmasters. However, Duda often tries to get away with saying more by revealing less, and readers may find themselves aching for just a few more details. The title story, in particular, could have fruitfully added a few more hints of backstory to its post-apocalyptic “Project Eden,” overseen by a godlike but conflicted computer and its guileless droid (who could be seen as Christlike). In an afterword, the author describes the genesis of the collection at a Las Vegas writing workshop, which may be a point of interest, as single-author SF anthologies, which were once a mainstay of the genre, seem to have become as rare as UFO sightings.
A fair set of SF tales that seems like an appetizer to a future full-course meal.Pub Date: Aug. 17, 2019
ISBN: 978-0-9984984-1-6
Page Count: 78
Publisher: Self
Review Posted Online: May 10, 2026
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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