A touching, heartfelt story with a healthy measure of hope.

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HEART SISTER

In Stewart’s (Ray vs the Meaning of Life, 2018, etc.) novel, a Toronto teen searches for the transplant patients who received organs from his late twin sister.

The death of 16-year-old car-accident victim Minnie Highland has understandably shattered the remaining members of her family. Since she died six weeks ago, her father has refused to even say her name, and her mother has spent her days doing nothing but lying around the house. Minnie’s twin brother, Emmitt, becomes motivated by an anonymous letter that he receives from a woman who received Minnie’s heart, signed “Heart Daughter, Heart Sister.” He wants to help his parents overcome their depression by locating all the recipients of his sister’s organs, metaphorically reuniting the “pieces of Minnie.” He does this artistically by tracking down and filming willing organ recipients and editing their responses into old film footage of Minnie asking questions (such as “If you were an animal, what would you be?”). However, Emmitt finds that a few recipients, including a drunk and a racist, don’t seem to have been truly worthy of Minnie’s donations. He comes to feel that his project will only be complete when he tracks down his original inspiration, “Heart Daughter, Heart Sister.” He contacts her through the National Transplant Organization, but for unexplained reasons, she doesn’t want to reveal her identity or meet with him. His determination to find her leads him into trouble—and a few unexpected plot turns. Stewart’s story is ultimately uplifting despite its grim setup. He shows how Emmitt gradually comes to care for the various recipients he meets, although helping Joey, an alcoholic with Minnie’s liver, proves to be an arduous undertaking. Emmitt is definitely an eccentric protagonist with an offbeat outlook; at one point, for instance, he tells a recipient that his sister was a taxidermist: “You’re like a dead thing, and now you’ve had life stuffed into you.” As such, he’s refreshingly distinctive, as are other characters such as recipient Dennis, who has a deep fondness for Korean pop music and gleefully aids in Emmitt’s search. The book’s most profound moments, though, are Emmitt’s creatively filmed segments, which play out in the text in screenplay format.

A touching, heartfelt story with a healthy measure of hope.

Pub Date: N/A

ISBN: N/A

Page Count: 286

Publisher: Kurti Publishing

Review Posted Online: Jan. 25, 2019

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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