A touching, heartfelt story with a healthy measure of hope.
In Stewart’s (Ray vs the Meaning of Life, 2018, etc.) novel, a Toronto teen searches for the transplant patients who received organs from his late twin sister.
The death of 16-year-old car-accident victim Minnie Highland has understandably shattered the remaining members of her family. Since she died six weeks ago, her father has refused to even say her name, and her mother has spent her days doing nothing but lying around the house. Minnie’s twin brother, Emmitt, becomes motivated by an anonymous letter that he receives from a woman who received Minnie’s heart, signed “Heart Daughter, Heart Sister.” He wants to help his parents overcome their depression by locating all the recipients of his sister’s organs, metaphorically reuniting the “pieces of Minnie.” He does this artistically by tracking down and filming willing organ recipients and editing their responses into old film footage of Minnie asking questions (such as “If you were an animal, what would you be?”). However, Emmitt finds that a few recipients, including a drunk and a racist, don’t seem to have been truly worthy of Minnie’s donations. He comes to feel that his project will only be complete when he tracks down his original inspiration, “Heart Daughter, Heart Sister.” He contacts her through the National Transplant Organization, but for unexplained reasons, she doesn’t want to reveal her identity or meet with him. His determination to find her leads him into trouble—and a few unexpected plot turns. Stewart’s story is ultimately uplifting despite its grim setup. He shows how Emmitt gradually comes to care for the various recipients he meets, although helping Joey, an alcoholic with Minnie’s liver, proves to be an arduous undertaking. Emmitt is definitely an eccentric protagonist with an offbeat outlook; at one point, for instance, he tells a recipient that his sister was a taxidermist: “You’re like a dead thing, and now you’ve had life stuffed into you.” As such, he’s refreshingly distinctive, as are other characters such as recipient Dennis, who has a deep fondness for Korean pop music and gleefully aids in Emmitt’s search. The book’s most profound moments, though, are Emmitt’s creatively filmed segments, which play out in the text in screenplay format.
A touching, heartfelt story with a healthy measure of hope.Pub Date: N/A
ISBN: N/A
Page Count: 286
Publisher: Kurti Publishing
Review Posted Online: Jan. 25, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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