Frisky, affectionate, lushly illustrated, deeply informed and profoundly respectful.
A multiple Grammy-winning performer of and advocate for American popular song offers the story of his long affection for the work of the Gershwins.
Feinstein (Nice Work If You Can Get It: My Life in Rhythm and Rhyme, 1995) begins with a swift account of how he met Ira Gershwin, the lyricist of the celebrated duo, and how he subsequently went to work for him for six years, researching, identifying and cataloging Gershwin materials. The author has hit upon a happy way to organize this dual biography/celebration: He selects a dozen classic Gershwin songs (from “Strike Up the Band” to “Love Is Here to Stay”), which he arranges not chronologically but biographically. This approach effectively illuminates the lives and careers of his principals. As the title indicates, Feinstein is the third subject. Although he tells the Gershwins’ stories, childhood to grave, he also relates his own history with their music and reveals his great respect for their achievements. Although Feinstein knew Ira and writes affectingly about his lyrics, his admiration of George—pianist and composer—soars. Repeatedly, he lauds George’s artistry at the keyboard and his enduring compositions. Feinstein also discusses the Gershwins’ love lives, the significant performers of their work (from Fred Astaire to Ethel Merman), their successes and flops, their experiences in Hollywood and the devastation of George’s shocking death at 38 (brain tumor). The author includes stories about his own preferences and performances, tales of his avid collecting, minirants about music education and some shots at others (Virgil Thompson among them).
Frisky, affectionate, lushly illustrated, deeply informed and profoundly respectful.Pub Date: Oct. 16, 2012
ISBN: 978-1-4516-4530-9
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: July 28, 2012
Kirkus Reviews Issue: Sept. 1, 2012
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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