by Michael Feinstein with Ian Jackman ‧ RELEASE DATE: Oct. 16, 2012
Frisky, affectionate, lushly illustrated, deeply informed and profoundly respectful.
A multiple Grammy-winning performer of and advocate for American popular song offers the story of his long affection for the work of the Gershwins.
Feinstein (Nice Work If You Can Get It: My Life in Rhythm and Rhyme, 1995) begins with a swift account of how he met Ira Gershwin, the lyricist of the celebrated duo, and how he subsequently went to work for him for six years, researching, identifying and cataloging Gershwin materials. The author has hit upon a happy way to organize this dual biography/celebration: He selects a dozen classic Gershwin songs (from “Strike Up the Band” to “Love Is Here to Stay”), which he arranges not chronologically but biographically. This approach effectively illuminates the lives and careers of his principals. As the title indicates, Feinstein is the third subject. Although he tells the Gershwins’ stories, childhood to grave, he also relates his own history with their music and reveals his great respect for their achievements. Although Feinstein knew Ira and writes affectingly about his lyrics, his admiration of George—pianist and composer—soars. Repeatedly, he lauds George’s artistry at the keyboard and his enduring compositions. Feinstein also discusses the Gershwins’ love lives, the significant performers of their work (from Fred Astaire to Ethel Merman), their successes and flops, their experiences in Hollywood and the devastation of George’s shocking death at 38 (brain tumor). The author includes stories about his own preferences and performances, tales of his avid collecting, minirants about music education and some shots at others (Virgil Thompson among them).
Frisky, affectionate, lushly illustrated, deeply informed and profoundly respectful.Pub Date: Oct. 16, 2012
ISBN: 978-1-4516-4530-9
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: July 28, 2012
Kirkus Reviews Issue: Sept. 1, 2012
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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