Memoirs, gossip, music history, and a little New Age philosophy from this noted cabaret star. Feinstein has made his mark on the musical world as a champion of the ``Golden Age'' of pop song. Here he traces his life from childhood in Columbus, Ohio, through a series of fortuitous accidents that led him to be employed as archivist/companion to Ira Gershwin during the last six years of the famed lyricist's life. Gershwin provided Feinstein with a deep understanding of the process of popular songwriting, and Feinstein was able to use his position as a building block in his subsequent career. The book has many amusing anecdotes about Gershwin in his semi-bedridden state, along with his ``barracuda'' of a wife, who lavished gifts on the young Feinstein while plotting his downfall. As Gershwin's representative, he helped oversee Tommy Tune's revival of My One and Only, although Feinstein's purist tendencies annoyed both the star and the producers, who were more interested in scoring a hit than honoring the exact intentions of the music's creators. In between recounting his ``life with Ira,'' Feinstein gives a thumbnail history of popular song, telling anecdotes about other notable composers, including Harry Warren (whom he also knew) and Irving Berlin (whom he did not). A bizarre undercurrent based on Feinstein's belief in ``the healing power of music'' reaches its nadir in his interpretation of Ira Gershwin's rather lame song ``Sunny Disposish'' as a philosophical treatise on the powers of ``natural healing [as espoused by] Norman Cousins [and] Deepak Chopra.'' Although Feinstein makes no bones about the singers he dislikes (including Frank Sinatra and Mel TormÇ, whom he calls ``Melismatic Torment''), he does not have the courage to let his criticisms stand unamended, often apologizing after smearing the offending crooner. S'readable and and fans will think that s'enjoyable, if not exactly that s'wonderful. (16 pages b&w photos, not seen)
Pub Date: Oct. 12, 1995
ISBN: 0-7868-6093-6
Page Count: 416
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1995
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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