by Michael Genhart ; illustrated by John Parra ‧ RELEASE DATE: July 11, 2023
Tenderly tremendous.
To prepare for the school Spelling Bee en Español, a young Latine boy gets a much-needed boost from his cherished Abuela.
Manolo seems prepared for the bee, as there are many words he can already spell: “F-a-m-i-l-i-a.” “J-u-n-t-o-s.” “C-o-r-a-z-ó-n.” Still, the lista de palabras includes words that Manolo doesn’t know how to spell, so Abuela helps him. During their lessons together, she shares stories from her childhood, when the “rule at school was ‘English only.’ ” Speaking Spanish—even in secret on the playground—resulted in punishments for the students, including being sent home, paddled, or having their mouth washed out with soap. Spurred by Abuela’s stories of the recent hurtful past, Manolo throws himself into practice even when frustrations set in. “Tengo fuerza.” On the day of the spelling bee, Manolo stands tall on stage thanks to Abuela’s strength. A measured reckoning with an oft-overlooked period in U.S. history, Genhart and Parra’s poignant collaboration explores the echoes of generational trauma and the power of societal change and hope. An author’s note explains that Genhart drew from the 1930s through the 1960s, including his mother’s experiences in Southern California. The closeness between Manolo and Abuela adds a layer of warmth to this poignant tale, making this spelling bee journey an eventual resonant triumph. The splendid, textured acrylic-based artwork is rich and vibrant; an especially inspired spread sees a determined Manolo scaling the word practico. (This book was reviewed digitally.)
Tenderly tremendous. (references, Spanish alphabet) (Picture book. 4-8)Pub Date: July 11, 2023
ISBN: 9780823450046
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Susan McElroy Montanari ; illustrated by Teresa Martínez ‧ RELEASE DATE: Aug. 6, 2019
Just the thing for anyone with a Grinch-y tree of their own in the yard.
A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.
A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.
Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4926-7335-4
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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