RETRIBUTION

Kill George Elgin's kid with an experimental drug and the morally numb Vietnam vet stops at nothing to exact his revenge. In his third thriller, ex-NYPD cop Grant (Officer Down, 1993) paints broadly: a white hat for the good guy, a black hat for the bad guy, with a Manhattan office tower at stake. The bad guy nearly steals the show. Michael Devlin, the new head of corporate security for Taggert Industries and an ex-cop himself, has all the resources money can buy to protect CEO Jason Taggert atop his 40-story fortress. Goaded in the boardroom and bedroom by Taggert's ruthless ``right-hand woman'' in charge of experimental drugs, Devlin hires professional security guards and off-duty former colleagues from the NYPD's elite TAC team to fend off crazed assassin Elgin. As Elgin closes in, Devlin readies every state-of-the-art gizmo from customized encryption software to elevators opened only by palm prints. He brings in a team of computer whizzes: a faux-Rasta giant of a black ex-con and a foul-mouthed computer hacker who happens to be the widow of Devlin's ex-partner. Can they get all 40 stories of their electronic fortress de-bugged in time to keep their security systems safe from Elgin? Problem is, George Elgin hacks into computers almost as well as he hacks up humans. Over three weeks, the body count approaches double figures, some of it imaginatively (Elgin is partial to dismemberment), and his ingenuity, courage, loyalty, tenacity, and deep but twisted sense of justice drive him almost to success against overwhelming odds. The full-bore action rises into a ludicrous made-for-Bruce-Willis climax on the 40th floor. Did it never occur to any of the top cops in the moonlighting TAC team that investigating George Elgin is their on- duty job, too? Don't read here for plausibility; Grant has the all the technical details right, but they go with a by-the-numbers plot as relentless as an elevator with every button pushed.

Pub Date: Sept. 1, 1995

ISBN: 0-06-017640-7

Page Count: 304

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 1995

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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