One-note and strangely impersonal: the public Lauren when readers were looking for the private. (12 b&w photos)
Tepid, unauthorized biography of The King of Lifestyle Merchandizing.
“Ralphie had a thing for clothes,” writes Gross (Model, 1995, etc.) of young Ralph Lifshitz, who grew up in the Bronx during the 1940s and ’50s. The chapters about the youthful Lauren and the old Jewish neighborhood in which he spent his early years are the most interesting here. Ralph’s mother had his future mapped out as a rabbi, but instead he got into haberdashery (ties, that is), and his destiny was sealed. “I'm promoting a level of taste, a total feeling,” the designer now named Ralph Lauren declared of his ties in 1967. Sound familiar? So does much of this account, which suffers from the author’s lack of access to Lauren and most of his family, many of his associates, and a host of industry insiders who didn't want to alienate him. What readers get instead of interviews with those in the know is hardly surprising: rival designers dis Lauren and dismiss his ideas as knock-offs; the photographers Slim Aarons and Bruce Weber are credited with playing big roles in his image; he’s criticized for commodifying status and elevating traditional to immortal; his workplace is depicted as having an unsavory atmosphere (“in later years, employees would equate Lauren with cult leader Jim Jones”); and Gross writes little about his character more complimentary than: “The checklist of narcissistic personality traits seems to fit Lauren like a bespoke suit.” Nor is it exactly a shock that an ace image manipulator would also be an utter control freak. On the other hand, the author handles with clinical circumspection Lauren's admitted affair with model Kim Nye and views the company’s bottom line as more important than his less-than-elegant behavior as an employer, which “typically began with seduction and ended with abuse.”
One-note and strangely impersonal: the public Lauren when readers were looking for the private. (12 b&w photos)Pub Date: Feb. 1, 2003
ISBN: 0-06-019904-0
Page Count: 416
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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