Animated with emotion: informed, documented, and essential.



The veteran reporternovelistbiographer (Isaiah Berlin: A Life, 1998, etc.) analyzes the recent hightech, lowrisk wars.

Ignatieff, who once lived in Belgrade, focuses the lights of his impressive experience and intelligence on the 1999 bombing of the former Yugoslavia, intended to prevent Slobodan Milosevic from carrying out ethnic cleansing in Kosovo. This campaign ``looked and sounded like a war,'' Ignatieff writes, but it was ``a spectacle: it aroused emotions in the intense but shallow way that sports do.'' Throughout the book, much of which appeared as separate pieces in The New Yorker, he worries that if war becomes unreal—virtual rather than actual to those dominating the conflict—then powerful states may be ``tempted to use it more often.'' Ignatieff first shadows US Special Envoy Richard Holbrooke in December 1998 as he shuttles around the Balkans attempting to solve by diplomacy issues that will eventually require military force. The author observes that former secretary of state Henry Kissinger saw negotiation as a chess game; Holbrooke says ``it’s more like jazz . . . improvisation on a theme.'' Ignatieff then moves to an analysis of ``Balkan physics,'' where everything is ``chaotically unpredictable.'' After a section containing an Email debate between Ignatieff and an English adversary is an unblinking look at Gen. Wesley K. Clark, who commanded NATO’s forces, leading a team that ``produced a virtuoso display of technological improvisation.'' Next is an illuminating account of how the International Criminal Tribunal brought a war-crimes indictment against Milosevic. Ignatieff masterfully intercuts the political maneuvering with an account of a Serb massacre of ethnic-Albanian noncombatants at the village of Celine. He follows with a description of a difficult visit with Serb friends after the hostilities ceased, and ends with a wonderful essay about the new face of warfare: virtual wars lead to a ``less stable world,'' he concludes, because the victors do not stay, do not ``bring order.''

Animated with emotion: informed, documented, and essential. (15 b&w illustrations) (Author tour)

Pub Date: May 1, 2000

ISBN: 0-8050-6490-7

Page Count: -

Publisher: Henry Holt

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: March 15, 2000

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A tiny book, not much bigger than a pamphlet, with huge potential impact.

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A collection of articulate, forceful speeches made from September 2018 to September 2019 by the Swedish climate activist who was nominated for a Nobel Peace Prize.

Speaking in such venues as the European and British Parliaments, the French National Assembly, the Austrian World Summit, and the U.N. General Assembly, Thunberg has always been refreshingly—and necessarily—blunt in her demands for action from world leaders who refuse to address climate change. With clarity and unbridled passion, she presents her message that climate change is an emergency that must be addressed immediately, and she fills her speeches with punchy sound bites delivered in her characteristic pull-no-punches style: “I don’t want you to be hopeful. I want you to panic. I want you to feel the fear I feel every day. And then I want you to act.” In speech after speech, to persuade her listeners, she cites uncomfortable, even alarming statistics about global temperature rise and carbon dioxide emissions. Although this inevitably makes the text rather repetitive, the repetition itself has an impact, driving home her point so that no one can fail to understand its importance. Thunberg varies her style for different audiences. Sometimes it is the rousing “our house is on fire” approach; other times she speaks more quietly about herself and her hopes and her dreams. When addressing the U.S. Congress, she knowingly calls to mind the words and deeds of Martin Luther King Jr. and John F. Kennedy. The last speech in the book ends on a note that is both challenging and upbeat: “We are the change and change is coming.” The edition published in Britain earlier this year contained 11 speeches; this updated edition has 16, all worth reading.

A tiny book, not much bigger than a pamphlet, with huge potential impact.

Pub Date: Nov. 26, 2019

ISBN: 978-0-14-313356-8

Page Count: 112

Publisher: Penguin

Review Posted Online: Nov. 3, 2019

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Loads of good explaining, with reminders, time and again, of how much remains unknown, neatly putting the death of science...


Bryson (I'm a Stranger Here Myself, 1999, etc.), a man who knows how to track down an explanation and make it confess, asks the hard questions of science—e.g., how did things get to be the way they are?—and, when possible, provides answers.

As he once went about making English intelligible, Bryson now attempts the same with the great moments of science, both the ideas themselves and their genesis, to resounding success. Piqued by his own ignorance on these matters, he’s egged on even more so by the people who’ve figured out—or think they’ve figured out—such things as what is in the center of the Earth. So he goes exploring, in the library and in company with scientists at work today, to get a grip on a range of topics from subatomic particles to cosmology. The aim is to deliver reports on these subjects in terms anyone can understand, and for the most part, it works. The most difficult is the nonintuitive material—time as part of space, say, or proteins inventing themselves spontaneously, without direction—and the quantum leaps unusual minds have made: as J.B.S. Haldane once put it, “The universe is not only queerer than we suppose; it is queerer than we can suppose.” Mostly, though, Bryson renders clear the evolution of continental drift, atomic structure, singularity, the extinction of the dinosaur, and a mighty host of other subjects in self-contained chapters that can be taken at a bite, rather than read wholesale. He delivers the human-interest angle on the scientists, and he keeps the reader laughing and willing to forge ahead, even over their heads: the human body, for instance, harboring enough energy “to explode with the force of thirty very large hydrogen bombs, assuming you knew how to liberate it and really wished to make a point.”

Loads of good explaining, with reminders, time and again, of how much remains unknown, neatly putting the death of science into perspective.

Pub Date: May 6, 2003

ISBN: 0-7679-0817-1

Page Count: 304

Publisher: Broadway

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 2003

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