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HARMATTAN

A PHILOSOPHICAL FICTION

A slim but thoughtful rendering of an exotic locale that recalls The Quiet American.

A New Zealand–born philosopher reflects on his years studying an ethnic group in Sierra Leone, weaving in the fictional tale of a young Englishman searching for personal transformation.

Jackson (World Religions/Harvard Divinity School; The Wherewithal of Life: Ethics, Migration and the Question of Wellbeing, 2013, etc.) calls this experimental novella “A Philosophical Fiction,” and he divides it into two distinct sections. The first, “Limitrophes,” is composed of short vignettes about West Africa, where he has spent much time, interspersed with thoughtful but generic observations about the world. His theme is often rebirth. “It’s not always where and when you were born that matters,” writes the author; “it’s where you were reborn—when you were initiated into adulthood and with whom; when you walked away from an arranged or unfulfilling marriage; when you decided to quit a dead end job; when you left your natal village and risked your life crossing the borderlands to the global north….” It’s the fiction in the aftermath from which the book takes its name; a “harmattan” is the hot, dry and dusty wind that covers West Africa in the wintertime, bringing desertlike weather conditions. Into this real-world setting, Jackson introduces a young British student, Tom Lannon, who has come to meet a writer acquaintance, Ezekiel Mansaray. Both men are locked in passionless relationships with women and are seeking genuine experiences. In Tom’s case, he is retracing the path of Scottish explorer Alexander Gordon Laing’s journey from the Sierra Leone coast to the interior, after which Tom plans to write a book juxtaposing his own experiences with that journey from 1822. His journey is ultimately transformative but certainly not in the way he might have imagined. “You see, there are no real gifts in this world!” says Ezekiel. “We pay the price for everything we get. And some of us pay more dearly than others.”

A slim but thoughtful rendering of an exotic locale that recalls The Quiet American.

Pub Date: April 21, 2015

ISBN: 978-0-231-17235-6

Page Count: 208

Publisher: Columbia Univ.

Review Posted Online: Dec. 12, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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