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SCARRED

A CIVIL WAR NOVEL OF REDEMPTION

Smith knows the Civil War in his bones, and his novel will leave readers emotionally drained but grateful.

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  • Kirkus Reviews'
    Best Books Of 2016

This lean Civil War sequel packs in more history and raw emotion than a 600-page epic.

Novelist Smith (Home Again, 2014) continues the story of Zach Harkin, a Union sharpshooter who was traumatized when he killed Confederate sharpshooter Jack Kavandish. This left Zach unfit for service; he was mustered out but resolved to find Jack’s widow and return his journal to her, along with her picture that Jack carried. An older Zach tells the story to Chris Martin, an enterprising young reporter from Joseph Pulitzer’s New York World who shows up in Zach’s Knoxville, Tennessee, gun shop in 1908. In the fall of 1863, Zach slipped away from home to pursue his quest, do or die. Confederate sorties (Tennessee was a border state) were one danger, but Union soldiers, who assume he’s a deserter, could be just as bad. After more than one close scrape, he wound up in Andersonville, the notorious Confederate prison in Georgia. We meet its notorious commandant, Henri Wirz, who was later hanged for war crimes. Zach-as-father-figure becomes a recurring motif: first, at Andersonville, he became the protector of young Beau Andrews, a bugle boy from Michigan; later, he became a real father to Kavandish’s son, Tom. With Wirz’s unwitting help, he did escape Andersonville. Then he was in the Deep South, which was more and more a lawless place, as he worked to find Jack’s farm; Gen. Sherman’s forces were coming through, and the “Home Guards,” as portrayed here, were little more than plunderers and rapists. Smith writes wonderfully and realistically, and one can hear the pacing and menace: “[Zach] could see the men’s eyes were wild, almost glazed over from drink. They sat heavy on their saddles, their heads not moving in unison with the horses’ movements. Zach braced for the worst.” Smith also knows as much about the guns of the era as a professional gunsmith and restorer. Readers will find themselves wincing and full of outrage at several turns of the plot; readers will hope—even assume—that the most sympathetic characters, whom they’ve come to love, will somehow manage to survive, but Smith often dashes such hope. One subplot, involving Martin standing up to the dictatorial Pulitzer, is either a bonus or a distraction, depending on the reader’s taste.

Smith knows the Civil War in his bones, and his novel will leave readers emotionally drained but grateful.

Pub Date: Aug. 30, 2016

ISBN: 978-1-5303-7974-3

Page Count: 190

Publisher: CreateSpace

Review Posted Online: July 18, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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