There’s undoubtedly a great swashbuckling adventure story here, but Kleeberg has failed to unearth it.
This first U.S. publication of the German author is a leaden historical, based on a true story, about the (mostly) charmed life of an 18th-century German baron.
After a confusing start, the fog lifts to reveal a widow and her two children living in poverty in Lorraine, in northern France. The father, a nobleman from Westphalia, has died of consumption. In 1704 the family gains a benefactor, the Count de Mortagne, a courtier at Versailles, who secures a position as a page for the young Theodor von Neuhoff; he is the first of Theodor’s many patrons. The baron is quick to learn the way the court works, and the importance of gossip; his eavesdropping skills land him an assignment in Paris, where he loses his virginity and incurs huge gambling debts (he will be a lifelong spendthrift). From Paris the court sends him to the Hague as a secret agent to contact a high-ranking Swede, in league with the French against the English. Theodor is right at home in this world of complex rivalries, but Kleeberg is a poor guide for 18th-century Europe, a hodgepodge of nation-states, city-states, grand duchies and protectorates, and Theodor is a disappointing protagonist. Not substantial enough to be a hero or anti-hero, he is the consummate dilettante as he shifts allegiance from Sweden to Spain to the House of Habsburg. In the novel’s final third he finds himself in the thick of the struggle between Corsica and the Republic of Genoa, and offers himself to the Corsicans as their King. This brings him fame throughout Europe, but on the eve of his coronation he is still subject to mood swings (“I don’t want to do this anymore”). He eventually resumes his odyssey, and any drama drains out of the narrative in Kleeberg’s recitation of dates and places.
There’s undoubtedly a great swashbuckling adventure story here, but Kleeberg has failed to unearth it.Pub Date: May 6, 2008
ISBN: 978-1-59051-256-2
Page Count: 392
Publisher: Other Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2008
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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