A deeply felt novel whose characters will feel familiar and fresh all at once.
A group of high school students face burgeoning authoritarianism in Laser’s future-set novel.
The story takes place in 2045, which looks much like our present, aside from updated technology and a political climate that resembles that of the 2020s United States but extrapolates what effect an additional two decades of ideological division might have. In the shadow of encroaching neo-fascism, the students at Ocean Park High in coastal New Jersey still live through familiar adolescent dramas. Bob is the new kid, more conservative than his classmates but with an open, inquisitive mind; Kristi, soon to be a full-fledged activist, rails against the indignities being done to the Constitution. Oliver and Fuzzy are the class clowns and resident videographers who work at a store with Elora Shalom, a Chinese American girl whose physician mother is in the throes of a mental health crisis. Then there’s lonely Danai, a somewhat recent arrival from Africa who’s ashamed to tell her classmates that she makes ends meet by cleaning houses with her mother and contends daily with the realities of being an undocumented immigrant. Finally, there’s Cardo, the school’s resident heartthrob, who’s doing some not-so-secret business of his own dealing underground apps to classmates while pining for Elora, the one girl he can’t get to notice him. If these characters, who feel comfortingly familiar, remind readers of high school archetypes, that’s because they are; but while Laser hasn’t reinvented the wheel here, all of these teenagers’ personalities are drawn with enough individuation to allow them to rise above mere type. (“Danai laughed, until she saw that her mother was crying. She worried that her mother would never forgive her for laughing so soon after her father had died.”) Political dystopia is a common element in today’s literary landscape, but Laser takes time to bring real pathos to his characters rather than treating them as pawns deployed for satirical or political aims. The result is a narrative that is both engaging and memorable.
A deeply felt novel whose characters will feel familiar and fresh all at once.Pub Date: Jan. 1, 2026
ISBN: 9798218896010
Page Count: 319
Publisher: N/A
Review Posted Online: March 4, 2026
Kirkus Reviews Issue: April 15, 2026
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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