Pointed, but colorless.
Muted story of a frustrated interracial relationship.
Edmund, a white corporate grind, is friendless and habit-driven. Careese is a young, homeless, African-American woman struggling to overcome her addictions. When Edmund notices Careese on his way home one evening, he impetuously invites her to stay in his apartment. Out of desperation, Careese warily accepts his offer. There, Edmund helps Careese learn basic job skills, and Careese cooks for Edmund, providing companionship in his sterile and passionless life. The differences between the two are obvious—perhaps even slightly understated in this otherwise unremittingly naturalistic story—but Laser (Old Buddy Old Pal, 1999, etc.) also creates crucial parallels between the two. Both Careese and Edmund have vexed relationships with their respective daughters, and neither has any real understanding of their emotional needs. Careese is nervous that Edmund expects sex, and Edmund is nervous that Careese might feel obligated to sleep with him, and, indeed, an affair begins. It starts slowly—Careese does not really love Edmund, Edmund loves the idea of Careese more than the woman herself—and peters out quickly. In a coda, we see that they have managed to heal themselves, and it’s clear that Careese is well over Edmund, who has gone from self-absorbed technocrat to narcissistic white liberal. Laser deftly switches perspective between Careese and Edmund, and his empathy for Edmund—his vague desire to find a more exciting life, his suspicion that he isn’t attractive enough for Careese—is palpable. Laser also explores the subtler inequalities between his characters: Careese’s pity for Edmund and Edmund’s fear that he is pitied, for example, are brutal and nuanced. But ultimately, the parts don’t add up, leaving the story simply unbelievable. Conspicuously absent is any consideration of the racial tensions that affect these characters’ emotional lives.
Pointed, but colorless.Pub Date: Sept. 30, 2006
ISBN: 1-57962-132-5
Page Count: 232
Publisher: Permanent Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2006
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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