An earnest, sentimental, and sometimes clumsy road trip tale.

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WHAT REMAINS OF CHARLIE

In this debut literary novel, four thirtysomethings from upstate New York try to make sense of a friend’s tragically short life, as well as their own lives. 

Charlie Thatcher has spent most of his adult existence stuck in his small upstate hometown, Hope, working in his father’s auto body shop. At age 31, Charlie begins keeping a passionate journal, writing of his ambitions to overcome his inertia and anxiety, escape his job, and become an author. The novel opens a year later, when Charlie has finally mustered the courage to leave home and “see America.” He writes with naïve enthusiasm of being “alone on the road, driving across country, meeting different walks of life, experiencing things I’ve never thought imaginable,” a move inspired by “that Jack Kerouac book.” Shortly after departing home, Charlie is hit and killed by an intoxicated truck driver. The people closest to him gather in Hope for his funeral. Taking direction from his discovered journal, they vow to complete the trip Charlie never could, scattering his ashes along the way. The travel crew consists of Charlie’s photojournalist brother, an old friend and sexually confused gambler, another old friend (now a California food truck proprietor), and Charlie’s longtime girlfriend. The apparition of Charlie himself frequently rounds out the cast. Lemieux does a nice job of balancing the experiences and struggles of each of these characters. The ensemble has a series of typically locale-specific adventures, during which the players learn things about Charlie, themselves, and one another. The physical journey provides a solid frame for the movement of the plot, and the novel possesses the enjoyable, if expected, pacing and humor of a classic road trip film. Along the way, however, Lemieux makes some indulgent amateur mistakes, such as forcing unearned cathartic confrontations, relying on popular song lyrics, and delivering overly labored descriptions (“He watched his saliva hit the blistering concrete, and within seconds it began to sizzle away, reminding him of the ‘This is your brain on drugscommercial. As his puddle of spit evaporated in the feverish sun he thought, We’re all just eggs in a pan out here”). The biggest misstep is likely the assumption that readers will be as enamored with the fetishization of the act of writing as the author is. Still, this is a fine effort for a journeyman novelist. 

An earnest, sentimental, and sometimes clumsy road trip tale.

Pub Date: July 27, 2016

ISBN: 978-1-5351-6052-0

Page Count: 366

Publisher: CreateSpace

Review Posted Online: April 23, 2017

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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