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HEAT 2

A book hardcore fans of Mann's film may enjoy but others will dismiss as unneeded.

A combination prequel and sequel to the much-admired Mann film that brought together Robert De Niro and Al Pacino.

The movie climaxed in 1995, with Pacino's intense LA cop, Vincent Hanna, shooting and killing De Niro's fatalistic bank thief Neil McCauley, his nemesis and alter ego. In the "before" sections of the novel, set in 1988, Hanna pursues a sadistic home-invading gang of killers and rapists while McCauley plans the heist of millions in cartel money from a truck bound for Mexico. Following McCauley's death and a massive shootout, his wounded right-hand man, Chris Shiherlis (the Val Kilmer character), escapes to South America, where he goes to work for a Taiwanese Paraguayan crime boss. Women figure in the plots: McCauley has an affair in Mexico with Elisa, a “seventh-generation smuggler,” and Chris sleeps with the crime boss’s daughter, Ana, even as he pines for his estranged wife and son. Minus the film's psychological mano a mano between Hanna and McCauley, this nearly 500-page novel, Mann's first, lacks a compelling center. And in Chris, it lacks a compelling protagonist—once a sidekick, always a sidekick. Hanna's fierce efforts to save Elisa's daughter from a mad killer 12 years after her single mother was killed energize the book, leading to an explosive highway chase. But with its unwieldy structure, the novel keeps getting in its own way. And despite the collaboration of seasoned pro Gardiner, the descriptive writing is weak: "Looking into his vacant blue eyes is like staring into the black ocean at night." Ultimately, Mann has written not a self-contained novel, but a novelization of the film sequel the 79-year-old director envisions.

A book hardcore fans of Mann's film may enjoy but others will dismiss as unneeded.

Pub Date: Aug. 9, 2022

ISBN: 978-0-06-265331-4

Page Count: 480

Publisher: Morrow/HarperCollins

Review Posted Online: Aug. 3, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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THE UNKNOWN

This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.

Could making a movie about the disappearance of five women from an island reawaken an evil presence there?

Five dresses hang from the topmost limbs of an oak on a remote island in a Vermont lake. That memorable image marks a mystery from a century ago, when five women believed to have been part of a commune vanished forever. As this novel opens, another group gathers on the island to make a movie based on that tale. Marin Keane, the narrator, is surprised but thrilled to find herself cast as one of the leads; she’s a struggling actor whose biggest part so far has been “Bridesmaid with Eczema” in a drug commercial, so playing Daisy Rue, whose haunting diary is the basis for the movie’s script, could be a career-making move. Ronan Peters, the writer-director, is talented and, Marin notes, hot. His reason for gathering the cast on the island is a kind of boot-camp rehearsal: They’ll spend a week living there, wearing period clothes, and managing without internet or phone service. Oh, and holding séances. What could go wrong? Marin quickly meets the other women in the cast: regal character actor Julianne Brown, cool and competent Heather Benchley, bratty former Disney star Susie Hutchinson, and, striking awe in all of them, Violet Wright, a much-awarded Meryl Streep-ish figure who will play the woman who brought the others to the island, which she owned. They get to work, but soon enough someone disappears. The book’s plot, like the movie’s script, largely follows Daisy’s journal, and since the reader is supplied with pages-long sections of that journal, there’s not much suspense about what will happen next. There are some effective set pieces, such as the group’s first séance. But in its last quarter, the plot collapses into a muddle of #MeToo vengeance, improbable secrets, and jarring character reveals that is, as Marin says, “the most Scooby-Doo thing I’ve ever heard.”

This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.

Pub Date: Aug. 4, 2026

ISBN: 9798217044092

Page Count: 368

Publisher: Dutton

Review Posted Online: June 1, 2026

Kirkus Reviews Issue: July 1, 2026

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