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DO I OWE YOU SOMETHING?

A MEMOIR OF THE LITERARY LIFE

Occasionally engaging, but too often lost among the stars.

Journalist and novelist Mewshaw (Shelter from the Storm, Mar. 2003, etc.) recalls his days as a fledgling in the tree of literature and examines the myriad influences of big birds named Garrett, Styron, Jones, Bowles, and Vidal.

There are some dazzling moments in this uneven memoir: James Jones’s catty comment about Hemingway’s oral sex with his shotgun is worth the cover price all by itself; and the long final chapter about Gore Vidal, with asides featuring Pat Conroy and Norman Mailer, coruscates with its subject’s wit. (Vidal once quipped, claims Mewshaw, that the three saddest words in the English language are “Joyce Carol Oates.”) The author can gore literary bulls, too. Accompanied by a tall model in an Italian restaurant, for example, Mailer “looked like a tiny tot in a Halloween costume.” But Mewshaw is drawn to celebrities like a fly to cream pie. He begins by describing how he convinced George Garrett to let him into a writing seminar at the University of Virginia, then segues into accounts of drinking with William Styron, dining with Harold Robbins and Robert Penn Warren and Anthony Burgess and Paul Bowles and Graham Greene (not at the same time). He chatted with Sharon Stone, saw Lindsay Wagner naked, and had a surreal shopping spree with Estelle Parsons in the desert. Mewshaw shows the sense to be self-deprecating at times; he publishes a strong letter from Graham Greene complaining about his published profile of the English writer, and he occasionally admits to various personal and professional failures. But he also seems more than determined to portray himself as an unjustly overlooked novelist, quoting—sometimes at length—flattering comments from Styron, Warren, and Burgess. Errors and careless prose undercut his claims. He attributes to Chairman Mao a quotation from Lao Tzu, misspells Edgar Allan Poe’s middle name several times, and too frequently finds language that is conventional rather than novel.

Occasionally engaging, but too often lost among the stars.

Pub Date: April 1, 2003

ISBN: 0-8071-2852-X

Page Count: 226

Publisher: Louisiana State Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2003

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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BORN SURVIVORS

THREE YOUNG MOTHERS AND THEIR EXTRAORDINARY STORY OF COURAGE, DEFIANCE, AND HOPE

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered...

The incredible true story of three Jewish women who survived the Holocaust.

Priska, Rachel, and Anka were married Jewish women in their early 20s when the Nazis took control of Europe. Like millions of other Jews, they were forced to give up their normal lives, all of their belongings, and their homes. Shuttled into ghettos and then off to one of the most notorious camps, Auschwitz II-Birkenau, they suffered through the Nazis’ increasing atrocities. But these three women all held a secret: they were pregnant. They were moved from Auschwitz and ended up in Mauthausen, another notorious death camp. With facing the most horrible conditions imaginable, all three gave birth right before the Allies accepted Germany’s surrender. In this meticulously detailed account, Holden (Haatchi & Little B: The Inspiring True Story of One Boy and His Dog, 2014, etc.) compiles an enormous amount of information from interviews, letters, historical records, and personal visits to the sites where this story unfolded. The graphic history places readers in the moment and provides a sense of the enduring power of love that Priska, Rachel, and Anka had for their unborn children and for the husbands they so desperately hoped to see after the war. Even though it occurred more than 70 years ago, the story’s truth is so chillingly portrayed that it seems as if it could have happened recently. These three women and their infants survived in the face of death, and, Holden writes, “their babies went on to have babies of their own and create a second and then a third generation, all of whom continue to live their lives in defiance of Hitler’s plan to erase them from history and from memory.”

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered through at the hands of the Nazis.

Pub Date: May 5, 2015

ISBN: 978-0-06-237025-9

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: March 28, 2015

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