A sometimes-insightful but flawed drama.
Joshua and Foley’s debut screenplay tells the story of how one man’s dark tendencies upend a Midwestern community.
Police Lt. Frank Murphy is used to covering up for his 24-year-old younger brother, Tom, a lovable screw-up. Tom is pursuing an MBA degree in Arizona, but he’s come home to Briarwood, Michigan, for a friend’s wedding. Soon, Frank has to pick up his drunk, naked, and unconscious brother from the house of Tom’s longtime friend Megan, who’s clearly rattled by something that Tom did, although she makes no formal complaint. The next morning, however, Tom claims he can’t remember what happened. “What time did I come here?” he asks Frank’s wife, Melissa, the next morning. “Frank? How did I end up with him?” At the wedding, Megan tells Tom to stay away from her, but she still doesn’t want to talk about what happened. Tom drinks heavily at the reception, joking with his friends and sneaking drinks to Katie, the 16-year-old sister of one of his friends. Later, after Tom is caught attempting to rape Katie in the bathroom, Frank tries to keep everyone from finding out. The event inspires Megan to confess to Melissa what happened the night before. The book concludes with a few sample storyboards by debut illustrator Miller, which will aid readers in imaging how a filmed version of the screenplay might look. Overall, the screenplay tackles the severity of sexual assault in an unflinching way, and it does a particularly good job of showing how quickly some men will try to laugh off or cover up terrible crimes of their peers: “Relax,” another cop tells Tom at one point. “As far as Megan goes, she wasn’t exactly sober herself.” A number of superfluous characters and exchanges prove distracting, however, and after Tom’s crimes are revealed, the plot assumes a melodramatic tone. The ending, especially, goes off the rails in a way that overshadows the central issue of the story.
A sometimes-insightful but flawed drama.Pub Date: Dec. 10, 2018
ISBN: 978-1-4809-8146-1
Page Count: 164
Publisher: Rosedog Press
Review Posted Online: Feb. 15, 2019
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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