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THE WITCH TRADE

A novelist for adults tries for a younger audience with a condescending, thinly disguised pastiche of classic and recent fantasies. Two children, doughty Abby and Spike, an amnesiac foundling who (of course) turns out to be a prince, help rescue their captive parents, plus a group of kidnapped children who are being forced to mind magic Dust (“Snow Dust”) from a subterranean Antarctic land. Along the way, the pair meet Captain Starlight, the Ancient Mariner himself, with his oversized albatross companion Benbow, an irascible librarian with a staff of elves, monsters, and ancient machines that respond only to the good of heart, and a positive array of witches. There’s bluff Sea Witches; pompous but well-meaning Light Witches; and fetid, bat-cloaked Night Witches plotting to exterminate their rivals with a mixture of Fairy—er, Snow Dust and toxic sludge. The author leaves no doubt about whom to hiss and whom to root for as, along the way, the good guys Save A Whale and participate in a performance of Peter Pan in which a traitor is unmasked by his refusal to clap for Tinker Bell. Attempts to inject wonder, surprise, and humor into the tale fall as flat as the climactic battle, in which the chief bad guy stands by wringing his hands as Abby heals an immense serpent with Kindness, then vanishes (sequels, anyone?), leaving his evil cohorts to blow up at the least whiff of Snow Dust. Wyatt supplies pen-and-ink sprays of twinkling stars, and Jules Verne–like spot illustrations, some of which recur. There’s not much here for fans of J.M. Barrie, Joan Aiken, Pullman’s His Dark Materials, and the like beyond a sense of déjà vu. (Fiction. 11-13)

Pub Date: Oct. 1, 2001

ISBN: 0-439-29659-5

Page Count: 256

Publisher: Chicken House/Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2001

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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THE LAST EVER AFTER

From the School for Good and Evil series , Vol. 3

Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...

Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.

Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.

Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13)

Pub Date: July 21, 2015

ISBN: 978-0-06-210495-3

Page Count: 672

Publisher: Harper/HarperCollins

Review Posted Online: June 25, 2015

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