A measured pace as methodical and practical as the murder story’s diplomatic protagonist.

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A SEASON TO DIE

A CHRIS DEANGELO NOVEL

From the Chris DeAngelo Series series

Philadelphia Sheriff Chris DeAngelo returns to solve the killing of a political candidate’s wife, complete with a plethora of suspects and motives, in this thriller.

Checking on a car accident, DeAngelo’s taken aback when realizing the body behind the wheel is Sherry Mills, wife of Republican senator/gubernatorial hopeful Steven Mills. But it gets worse: her death was by gunshot. Mayor Elaine Strick wants to expedite the investigation and get it out of the papers, because her town of Macon is suffering from the notoriety surrounding a recent serial-killer case, which the sheriff wrapped up. She nominates the husband as the initial suspect, but then Strick’s also supporting Mills’ primary opponent, Rupert Kerman. As it turns out, there are quite a few people who had reason to prefer Sherry dead. Whoever had been supplying her with pills, for one, may have wanted her silenced, as would certain individuals with knowledge of her affair with a restaurant owner. DeAngelo and his always-reliable deputy, Rosemary Tippets, sift through the evidence to narrow the suspect list, but the most likely person winds up a murder victim, leading to further questions. The sheriff soon comes across more bodies and finds himself in someone’s cross hairs, in a town where everyone seems to use the same .308-caliber rifle that killed Sherry. Mucci’s (A Season to Kill, 2015) tale is dense with plot, which includes an assortment of felonious deeds, from blackmail and burglary to a mobster’s presence. Pinning down a murderer—if it’s just one—is a challenge, but with DeAngelo at the helm, it’s likewise absorbing. The sheriff, for example, rarely sways; sure, he takes time to flirt with “super-hot bartender” Maryanne, but only because she works at the restaurant owned by one of his suspects. DeAngelo layers his first-person narrative with cynicism, equating a snow-covered property with “an arctic outpost in desperate need of resupply.” But he combines this hard-boiled detective quality with a pragmatic outlook, which truly makes him stand out: he’s a struggling alcoholic who still drinks, just less than usual. The sheriff’s a work in progress, knowing his success requires time and effort, an approach he applies to his investigations.

A measured pace as methodical and practical as the murder story’s diplomatic protagonist.

Pub Date: Nov. 23, 2016

ISBN: 978-0-9976718-3-4

Page Count: 324

Publisher: Rook Publishing

Review Posted Online: Jan. 19, 2017

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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