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TRIPPING WITH ALLAH

ISLAM, DRUGS, AND WRITING

William James, suffice it to say, would probably be appalled at first, and then fascinated.

A personal quest into the intersection of Islam and mind-altering drugs.

“I am a Muslim with plans with tripping with Allah, if Allah so wills, making me simultaneously a participant in two religions of high discomfort in our present America.” A sentence like that, which comes early in the pages of Knight’s (Osama Van Halen, 2009, etc.) memoir, isn’t going to win its author points with Homeland Security or the Salafi mullahs. It is thoroughly revealing of Knight’s program, however, which started off as a scholarly inquiry: He wanted to consider the effects of drug use on a modern Islamic practitioner—a “chemically enhanced Sufism,” as a friend puts it—in much the same way an anthropologist might look at a drug-induced spirit journey among an Amazonian people. The author is cautiously academic in some respects; he worries, for example, that his discipline is painting with too wide a brush by applying the rubric “shamanism”—once specific to the peoples of northern Siberia—to such spirit journeys around the world. But Knight is also exuberant, sometimes to the point of channeling, directly or indirectly, the menacing drug dealer in the movie Withnail & I (1987): “I’ve put substances  into my body that are so fuckin’ condemned by society that I wouldn’t even name them to you. So, from that experience, I’d say to go for it.” Does Knight succeed in melding ayahuasca and Islam? It’s most certainly worth reading this intelligent book to find out, for it has, beg pardon, a higher purpose than its surface gonzoism might suggest at first, with its smart meditations on consciousness and the passage of time.

William James, suffice it to say, would probably be appalled at first, and then fascinated.

Pub Date: March 1, 2013

ISBN: 978-1-59376-443-2

Page Count: 256

Publisher: Soft Skull Press

Review Posted Online: Jan. 23, 2013

Kirkus Reviews Issue: Feb. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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