A satisfying if sometimes-dark read for Palin’s many fans. Those interested in the inner workings of showbiz will find much...

TRAVELLING TO WORK

DIARIES 1988-1998

Now is the ’90s of our discontent….

It’s not exactly a decennium horribilis that Monty Python member and world traveler Palin (The Truth, 2013, etc.) describes in this journal. As the author notes at the start of this third volume, he closed the late 1980s with the sense that he’d been frittering away his life, someone “who had reached his mid-forties with no great adventures to show for it.” Be careful what you wish for, for Palin immediately found himself swept up in what would become a quarter-centurylong series of televised adventures, beginning with sturdy vehicles such as Around the World in Eighty Days and Pole to Pole and spinning off in all sorts of directions. In between, though, were the standard press junkets: show up for a screening, a book signing, a gallery opening, “pontificate on the Python years and become pretentious.” Palin reveals himself to be a serious, sympathetic fellow most of the time, if sometimes given to self-doubt and moping. At turns, he is speaking in hushed tones with Fergie, the Duchess of York, and finding her more congenial and substantial than he might have thought (“She paints a depressing, almost frightening, picture of the royal life”); worrying at world events such as a renewed IRA bombing campaign in London (“they kill out of an intensity, a fierceness, a dogged, deep unshakeable belief, as people have done throughout history”); and trying to pull together sometimes-warring factions into a reunion (“the unsatisfactory Python stage show business pushes itself, once again, into the front of my mind”). The decade’s worth of notes ends on a rather dour note, befitting a gloomy English new year that, of course, he could escape by hopping on a jet to some more tropical clime.

A satisfying if sometimes-dark read for Palin’s many fans. Those interested in the inner workings of showbiz will find much of value, too.

Pub Date: Nov. 24, 2015

ISBN: 978-1-250-07707-3

Page Count: 576

Publisher: Dunne/St. Martin's

Review Posted Online: Aug. 9, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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