It’s been a long time since Palin’s first novel (Hemingway’s Chair, 1998). The wait for this compelling book has been more...
With passion and flair, Palin (of Monty Python fame) details a journalist’s quest to discover the truth about a reclusive environmental activist.
Once, London journalist Keith Mabbut was an award-winning crusader, exposing chemical polluters, but now he’s just another hack, working on company vanity projects while mourning his separation from his Polish wife, Krystyna, who’s just announced she wants a divorce (she’s met somebody else). The good news is that a top publisher wants him to do a book on Hamish Melville, the elderly, widely admired environmentalist; the media-averse Melville works below the radar, encouraging native peoples to confront corporate power, so Keith must run him to earth. The publisher, hard-charging Ron Latham, will pay big bucks; he’s chosen the 56-year-old Keith for his integrity. Krystyna’s new beau, a well-connected one-time friend of Melville, gives Keith his first lead: The old boy is in Kalinga, East India. Palin ramps up the suspense as Keith arrives. He finds Melville with surprising ease before the canny agitator disappears. On his trail again, Keith is abducted by some Naxalites (Indian Maoists) who threaten to kill him: It’s Melville who rescues him. Keith slowly gains his trust: Melville is as impressive as he’d hoped but also playful and irreverent. Keith is given a tour of the tribal areas. The indigenous people are threatened by a giant mining company that wants their bauxite. At the heart of the novel is the question: Can they assimilate change without losing their identity? Melville gives his blessing to the book, while limiting future contact. Keith meets his deadline, but Latham is not happy. Where’s Melville’s dark side, the dirt that will sell the book? There’s an old adversary who may have damning evidence against him. The suspense continues as Keith is challenged by new revelations, some concerning the publisher’s sinister corporate parent.
It’s been a long time since Palin’s first novel (Hemingway’s Chair, 1998). The wait for this compelling book has been more than worth it.Pub Date: Aug. 13, 2013
ISBN: 978-1-250-02824-2
Page Count: 272
Publisher: Dunne/St. Martin's
Review Posted Online: May 18, 2013
Kirkus Reviews Issue: June 1, 2013
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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