Southern writer and first-timer Parker combines a lyrical style with a fully articulated social world—in a tale of love and betrayal, ambivalence and desire, and guilt and addiction. Set in small-town 1950's North Carolina, this sordid melodrama transcends its pulpy roots in period novels of drug addiction. Edwin Keane's charmed life falls apart one night when he drives his car off a back road, killing his fiancÇe. Son of the town's bigwig, this ``handsome, healthy college kid'' descends into a nether world of morphine use, ostensibly for his injured back. Protected in ``narcotic complacency'' by his family and friends, Edwin moves into a cabin owned by his parents and harasses the local pharmacy to increase his dosages. But the assistant pharmacist, moved partly by class resentment and partly by a desire ``to save'' Edwin, refuses to indulge his pain and self-pity. Obsessed by his vision of the accident, Edwin is finally stirred by a new sight: a beautiful girl from the wrong side of the tracks. Despite her white-trash origins, Eureka Speight is no ordinary teenager, but a bright and dreamy angel of ``ethereal fleetness''—and better than morphine in Edwin's view. With the help of Eureka and the pharmacist, Edwin kicks the habit in a Kentucky clinic, only to return back home where all his problems resurface—not just his memory but his oppressive mother, his indifferent father, and all the responsibilities of his class. The pharmacist and Eureka's father conspire to return the young woman to her rightful place at home, and enlist her brother Randall, a loquacious and incorrigible Huck figure whose innocence is exploited to this end. There's much texture to this haunting tale of sin and redemption, of sacrifice and punishment, making it more than a story of star-crossed lovers. Much like the hothouse Faulkner of Sanctuary, with the same bitter humor and nihilistic denouement.
Pub Date: Feb. 1, 1993
ISBN: 0-684-19424-4
Page Count: 288
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1992
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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