Parker does a fine job exploring Joel’s pain, but the overworked music/love connection is not enough to give his story...
Soul music acts as a lifeline for a tormented adolescent whose family is disintegrating.
Three things about this very short novel hit you immediately. The first is the voice of the narrator, 14-year-old Joel Junior; the second is the invocation of America’s rhythm-and-blues singers; and the third is the terrible plight of Joel and his little brothers, Carter and Tank. For his fifth work of fiction, Parker (Towns Without Rivers, 2001, etc.) takes us back to Trent, North Carolina. Joel’s daddy is not right in the head. When he’s having one of his spells, he hears voices; he has destroyed the TV with his golf clubs, though he hasn’t (yet) laid a hand on his kids. Joel’s mama was the first to jump ship, followed by her firstborn, Angela. Now Joel is father and mother to both his kid brothers. He expresses perfectly his lost Southern self, as he tries to make sense of the inexplicable. What sustains this beaten-down white boy is his love of the great black soul singers, a taste he has inherited from his father, who has just broken down again. Fearing the worst, Joel bundles his brothers into the pickup, but Carter gets loose; their daddy ties him up and cuts his hair, snipping off an earlobe. Joel has seen enough; he drives Tank and himself to the coastal town where Angela is waiting tables, but she’s a tough cookie and disinclined to help. After failing to track down their mother, Joel and Tank return home to a catastrophe. That’s not much storyline in a novel that is all about love: love promised, love withheld, love struggling against the odds.
Parker does a fine job exploring Joel’s pain, but the overworked music/love connection is not enough to give his story ballast.Pub Date: Sept. 16, 2005
ISBN: 1-56512-484-7
Page Count: 192
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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