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ALL SOULS

A FAMILY STORY FROM SOUTHIE

An incendiary, moving book that startles on nearly every page. The notorious anti-busing riots of 1974 forever altered the insular working-class Irish community of South Boston, branding it indelibly as a dangerous, racist enclave. Anti-violence activist MacDonald grew up there and lost four out of eight siblings to violence in those dark times; his debut assesses both his family history, and related secret tales of class strife, bigotry, corruption, and vanished lives. MacDonald utilizes the classically Irish viewpoint of the stoic child to re-create a harsh arena of a 1970s ghetto and urban poverty. His single —Ma— felt blessed when a local politician secured her entrance to the majority-Irish Old Colony project, —the best place in the world”; once there, the MacDonalds had to prove their mettle against delinquents with shotguns, thus acquiring the patina of —craziness— necessary for survival. At first, the nuances of color seemed minor against a vividly rendered backdrop of economic difficulty and the depraved mainstreaming of hard drugs and street crime. Then came the riots; MacDonald’s surefooted (neither hardened nor sentimental) narrative takes us through the years of malaise and violence that followed, as politically connected gangsters, such as the notorious Whitey Bulger, expanded the area’s drug trade while violently enforcing a macho myth of silent Southie unity, itself built on the long-burnished notion that the white community was somehow —different— from such similarly working-class, embattled black areas as Roxbury. This explication of how such phenomena of white class-consciousness encouraged the wholesale deterioration of his neighborhood and contributed to the demise of some 250 young people is a devastating cultural indictment. MacDonald’s nimble prose and detailed recall of grim times long past make for luminous reading; his hard-won conception of how ghettoized poverty spawns localized violence, and the dignity he brings to lives snuffed out in chaos, gives All Souls a moral urgency usually lacking in current memoir or crime prose. A remarkable work. (Author tour)

Pub Date: Sept. 1, 1999

ISBN: 0-8070-7212-5

Page Count: 288

Publisher: Beacon Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2000

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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