A tight, rock-solid installment in a series that’s only getting better.
Pronko’s (The Last Train, 2017, etc.) Tokyo-based thriller follows a detective’s search for a manuscript so valuable some will kill for it.
Hiroshi Shimizu’s injury from a previous case is the perfect excuse for the detective to work white-collar crimes from a computer. But Sakaguchi, Tokyo’s head of homicide, needs his English-speaking adeptness, courtesy of Hiroshi’s having studied in Boston. On a bisected body, a medical examiner has found a flash drive that contains images of woodblock prints and corresponding notes in English. It doesn’t seem like much until detectives learn the only specialist who could find the physical prints has just died—American diplomat Bernard Mattson, murdered by burglars at his home. As Hiroshi and others investigate, it’s soon clear someone is after Mattson’s manuscript. But what exactly is in the manuscript is the biggest mystery: The diplomat is linked to myriad sensitive issues, from U.S. military bases in Japan to the Status of Forces Agreement with America. Hiroshi is also keeping an eye on Jamie, Mattson’s Japanese-American daughter from New York, who’s in Tokyo for her father’s funeral. She may be a target; whoever wants the manuscript will likely assume she knows its location. Pronko’s thriller elegantly depicts Japanese customs within an American-style hard-boiled procedural. For example, lovingly detailed sushi preparation contrasts with the police station, a site of whiteboard scrawls, corkboards covered in notes, and piles of folders next to out-of-date computers. The concise mystery runs at full tilt with characters that focus assiduously on the investigation. Accordingly, welcome humor is plot-relevant: Detectives at crime scenes alternate heading off the assistant chief, who’s more annoying than helpful. Hiroshi, in his second appearance (along with fellow detectives), is a winsome but unassuming protagonist. Though he’d rather be at his computer, he faces a blade-wielding killer with confidence and relatively few complaints.
A tight, rock-solid installment in a series that’s only getting better.Pub Date: Sept. 30, 2018
ISBN: 978-1-942410-16-4
Page Count: 320
Publisher: Raked Gravel Press
Review Posted Online: Oct. 1, 2018
Kirkus Reviews Issue: Nov. 15, 2018
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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