A good adventure yarn, with plenty of historical atmosphere and local color.
A debut from Washington, D.C., attorney Punke describes the perilous adventures of a 19th-century frontiersman bent on revenge.
Hugh Glass apparently anticipated Horace Greeley’s advice about going west and growing up with the country, for that is precisely what he did. The son of a Philadelphia bricklayer, Glass became accustomed to living by his wits as a young man and during the War of 1812 made good money as a blockade-runner. Captured by Jean Lafitte’s pirates, however, he was faced with the choice of switching sides or walking the plank. He switched. Eventually he fell into the hands of the Spanish, who tossed him ashore south of Galveston and told him to turn north and keep walking. In Missouri, Glass joined an expedition of the Rocky Mountain Fur Company and, in the novel, travels inland to trap and trade in what, 20 years after Lewis and Clark, is still largely uncharted territory. After being badly mauled by a grizzly bear, Hugh is left in the care of two comrades, John Fitzgerald and Jim Bridger, who quickly decide that he’s a goner and not worth waiting for. They take his rifle and knife and abandon him to die alone. Miraculously, however, Glass not only survives but also manages to get back to St. Louis, even though he has to crawl much of the way. After he recuperates, his one thought is of revenge, and he sets out with all the tenacity of a good trapper to hunt down Fitzgerald and Bridger. Like any frontiersman, Hugh finds that he can’t hope to survive, much less succeed, without the help of the Indians, and he soon acquires a knowledge of their ways and lore. Eventually, his former betrayers find themselves face to face with a Revenant—a man come back from the dead.
A good adventure yarn, with plenty of historical atmosphere and local color.Pub Date: July 1, 2002
ISBN: 0-7867-1027-6
Page Count: 272
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2002
SEEN & HEARD
A nuanced tale that speaks to the strength of women.
On the brink of World War I, three women fight internal battles on the homefront.
Novelist Kelly (The Lilac Girls, 2016), who offered the perspectives of three women during World War II in her bestselling debut novel, turns back the clock to examine the lives of another female trio as the world enters the Great War. Connecting the two novels is Eliza Ferriday, the New York socialite with a heart for social justice, who is the mother of real-life Lilac heroine Caroline Ferriday. The book is a prequel, though it is a silk thread that binds the two stories. Eliza is enjoying the high life with her Manhattan and Southampton social set, making regular visits to Paris and St. Petersburg to sightsee with close friend and confidante Sofya Streshnayva as the world buzzes with talk of impending war. Eliza takes the threat more seriously than beautiful Sofya, a cousin of the Romanovs who, like most of her ilk, is living in a bubble of denial about the danger that lies ahead. When Sofya’s stepmother hires Varinka Kozlov, the daughter of a local fortuneteller, she unwittingly brings trouble into their home. Although young Varinka is a kind soul, her family is closely connected to a pair of local thugs leading Bolshevik uprisings against the bourgeoisie White Russians. Soon, Sofya’s family is caught in the crosshairs of a revolution, Eliza is powerless to help from New York, and Varinka must make a choice about where her loyalties lie. Though the writing is rich and vivid with detail about the period, the storytelling is quite a bit slower than in Kelly’s captivating debut, and both the plot and relationship development feel secondary to the historical scene-setting.
A nuanced tale that speaks to the strength of women.Pub Date: April 2, 2019
ISBN: 978-1-5247-9637-2
Page Count: 448
Publisher: Ballantine
Review Posted Online: Dec. 22, 2018
Kirkus Reviews Issue: Jan. 15, 2019
A nicely judged fictional resurrection joins the tribute library accumulating around a literary icon.
Sister of the more famous Jane, Cassandra Austen emerges as a figure in her own right, a woman who, although disappointed in love, finds fulfillment in her devotion to her sister, both in her lifetime and beyond.
“Poor, beautiful Miss Austen, condemned to eke out a sad life with nothing to do but care for others and control the temperament of her difficult sister” is the comical opinion of Jane Austen herself on her sister, Cassy, at least according to Hornby (All Together Now, 2015, etc.), whose animation of the close relationship between the siblings is the driving force of her new novel. Denied marriage and children after the death of her fiance, Cassandra becomes a model of duty and self-sacrifice, watching over her family generally and Jane in particular as keeper of the flame and guardian of her reputation. This role will include destroying any evidence detrimental to Jane’s future status, such as letters revealing a fragile, depressive side to her character. It’s on this mission that Cassy, in 1840, decades after her sister’s death, visits the Kintbury vicarage to sift through a stash of Jane’s correspondence. As Cassy reviews these letters, so the story flashes back to earlier episodes—of sisterly delight; of anxiety about the future when the Austens must leave their home after Mr. Austen’s retirement; of trips to Bath and the English coast; of meetings with potential suitors. All this offers Hornby the opportunity to observe the marriage market, women’s lot, and men’s dominion—though with a heavier satirical hand than Jane Austen’s—and also to suggest that members of Austen’s own circle might have inspired some of her characters. Cassy herself never quite convinces and the business of the book can seem scattered, but the evocation of the sisters’ closeness is solid.
A nicely judged fictional resurrection joins the tribute library accumulating around a literary icon.Pub Date: April 7, 2020
ISBN: 978-1-250-25220-3
Page Count: 288
Publisher: Flatiron Books
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK TO SCREEN
BOOK TO SCREEN
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