Will satisfy true-crime readers interested in the grimy realities behind Mafia glamour and undercover work.
Memoir of infiltration of the New Jersey Mafia, told with bluster and bravado.
In 1982, Russell—who co-authored this book with Picciarelli (co-editor: Bronx Noir, 2007, etc.)—was a state trooper trying to infiltrate organized crime in Newark, when a dispute over a pilfered briefcase led to Mafia associates shooting him in the head. His superiors realized his survival enhanced his undercover credibility, so they directed him toward an ambitious plan: pose as “owner of a small oil-delivery business and try to work my way into the good graces of the Gambino or Genovese crime families.” Having learned that “getting close to the wiseguys required that you be subtle,” he ingratiated himself with a Genovese captain. Known to the gangsters as “Mikey Ga-Ga,” Russell soon began working for “made member” Joe Zarra, “a greedy bastard [who] would want to capitalize on my earning possibilities.” The strict Mafia hierarchy of autonomous “crews” made Russell’s brazen undercover work easier; he even opened an office next to Zarra’s social club, allowing him to record the crew on audio and video. This proximity led to numerous close calls, on top of Russell’s concern that Newark’s mob-connected cops might finger him. The stress actually forced him to resign from the investigation, yet he soon returned as a civilian contract employee, ultimately earning his supervisor’s accolade: “One lone Irishman took down an entire Mafia crew.” The book’s strength is its specificity: Russell details his encounters with many notorious figures in New York’s “Five Families” and provides a good sense of the nitty-gritty tradecraft involved in undercover investigations. Yet, the plausible narrative is undercut by Russell’s braggadocio: He so often portrays the mobsters as stupid, and his own perfidy as overt, that he never really seems to be in danger.
Will satisfy true-crime readers interested in the grimy realities behind Mafia glamour and undercover work.Pub Date: Aug. 6, 2013
ISBN: 978-1-250-00587-8
Page Count: 320
Publisher: Dunne/St. Martin's
Review Posted Online: May 12, 2013
Kirkus Reviews Issue: June 1, 2013
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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