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The Evil that Men Do

A set of clever takes on well-known stories.

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In his debut short story collection, Sanders reimagines famous fairy tales in updated, often brutal settings.

In this book’s first tale, “Rumpelstiltskin,” the title character is cast as a scamming junkie. The equivalent of the miller’s daughter from the original tale is a young woman named Jane who attends Catholic school, where she’s the accounting club’s president. Her father isn’t a miller but a beverage distributor named Malachy, and the evil king figure is a mobbed-up strip club owner. Sanders delights in juxtaposing the mundane and the mythic. In one moment we’re told that Malachy, “was eventually able to purchase a small beer distribution business including a reasonably maintained truck and a modest core of likewise reasonably loyal customers”; in the next we’re told: “One day, a woman he vaguely recognized deposited a baby girl in his hardened hands, purportedly his daughter, and left.” The “Three Little Pigs” become three small-town Vermont brothers—triplets fighting a predatory factory owner. The third “pig” is known not for a stone house but a stony demeanor, forged in the Vietnam War. In “Jack and the Beanstalk,” the giant that the young man encounters isn’t a physical giant but rather a larger-than-life Russian gangster. Sanders applies the same types of transpositions to five more tales, including “Little Red Riding Hood” and “Snow White.” His stories are often violent and dark—crimes such as rape, murder, and theft appear throughout the book—and are meant for a solely adult audience. However, this is fitting considering the source material; Sanders reconnects to the violence that appeared in the traditional tales and which was later scrubbed out in a process of sanitization. Indeed, this approach is very intentional; in his preface, Sanders locates his project in the histories of folklore, literature, anthropology, and psychology, and his stated goal is to reimagine “the story as contemporary plots informed by our modern psychologies, while hewing to their original storylines.” The adherence to original storylines can lead to some convoluted twists. However, finding out how Sanders makes these plots work is half the fun.

A set of clever takes on well-known stories.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Deuxmers Publishing

Review Posted Online: Aug. 3, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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