SUPERPOWER INTERRUPTED

THE CHINESE HISTORY OF THE WORLD

Of considerable interest to students of world trade, geopolitics, and history.

Business journalist Schuman, who has more than 20 years of experience in Asia, takes a big-picture look at the reemergence of China as a leading power.

A superpower projects its influence through numerous vehicles. One is military. More important, though, are economic and cultural influences—e.g., the primacy of the dollar as a unit of international exchange, the dominance of English as a lingua franca. China’s ascent is no surprise: Schuman writes that the nation, “for nearly its entire history,” has commanded all these vehicles. For much of world history, it has been the dominant power in its region, has controlled trade networks extending all the way to Europe, and been a technological innovator. “Recall that when Christopher Columbus sailed into the unknown he was not searching for Mexico, but China,” he adds. Numerous injuries inflicted on a tottering political regime in the 19th century, among them the Opium Wars, brought China under foreign control and reduced its influence, but many Chinese now, under Xi Jinping, believe that the time has arrived to reclaim Chinese hegemony. Schuman offers a lucid crash course in Chinese history and some of its more noted political and economic thinkers, from Confucius to King Wu and Liang Qichao, the last of whom counseled that China would not flourish until its “common people participated in the process of governing.” That has yet to happen, but it is inarguable that since the 1980s, with Deng Xiaoping’s reopening of the nation to international trade—“among the most momentous events of modern times,” Schuman rightly notes—China has become wealthy, and if it still relies on other nations (especially the U.S.) for technological innovations, it is taking an ever larger role on the world stage in a way that it has not for half a millennium: “Xi himself appears a reincarnation of the empire-building emperors of old,” Schuman concludes.

Of considerable interest to students of world trade, geopolitics, and history.

Pub Date: June 9, 2020

ISBN: 978-1-5417-8834-3

Page Count: 384

Publisher: PublicAffairs

Review Posted Online: April 12, 2020

Kirkus Reviews Issue: May 1, 2020

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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