A striking tale of coming-of-age, loss, sexuality, and self-discovery, filled with rich characters.
Garvin depicts the splendor and squalor of both the natural and human worlds in this debut literary novel.
Zachariah Aaron Nance at first appears to be set up for a simple life. Born and raised in Durango, Colorado, he begins life knowing the feeling of dirt under his fingernails, sweat on his brow, and God in his heart. His childhood is split between the natural world and the town and his family. Zach’s father is a salt-of-the-earth type, taking odd jobs across local farms to support the family financially, while Zach’s mother’s strong ties to the Baptist church and the community support them spiritually. Zach’s trials and tribulations also at first seem like the expected hazards of being a growing boy—trouble with school, an eye for mischief, and a hint of the angst that comes of being a middle child. But while there’s youthful joy in small-town living, there’s also poison under its skin in the forms of poverty, alcoholism, racism, and homophobia. When tragedy strikes the family, his father withdraws into drinking, his mother into religion, and Zach loses his fragile grip on the world as he struggles with this fractured clan, the fortitude and responsibility it requires, and his own identity. The writing in this novel is excellent, a mix of clear, no-nonsense storytelling to move the narrative forward and vibrant, nigh-poetic language to describe the play of sunlight, water, dust, greenery, and human beings that make up Zach’s universe (“Colorado mornings on the brink of spring begin with a deep purple reflection rising low on the horizon. The lavender glow spreads out and up as dawn slowly consumes the fading night....The season’s bitter freeze begins its gradual thaw, and the forest floor and frozen tundra welcome the new warmth”). At the same time, the story bravely and honestly delves into the existential questions and trials of faith that Zach undergoes, from a childhood fever dream where he’s visited by Jesus to his more conscious realizations of the unfairness of the world and what God’s role in such a place could be. Finally, straightforward, genuine dialogue gives voice and individuality to the vivid cast of characters. Zach’s joy, pain, longing, and isolation are real and palpable throughout, and every piece of the story and setting only furthers the life and experience bled onto the page.
A striking tale of coming-of-age, loss, sexuality, and self-discovery, filled with rich characters.Pub Date: May 1, 2016
ISBN: 978-1-5194-1473-1
Page Count: 308
Publisher: CreateSpace
Review Posted Online: July 21, 2016
Kirkus Reviews Issue: Sept. 15, 2016
Review Program: Kirkus Indie
BOOK REVIEW
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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