A striking tale of coming-of-age, loss, sexuality, and self-discovery, filled with rich characters.
Garvin depicts the splendor and squalor of both the natural and human worlds in this debut literary novel.
Zachariah Aaron Nance at first appears to be set up for a simple life. Born and raised in Durango, Colorado, he begins life knowing the feeling of dirt under his fingernails, sweat on his brow, and God in his heart. His childhood is split between the natural world and the town and his family. Zach’s father is a salt-of-the-earth type, taking odd jobs across local farms to support the family financially, while Zach’s mother’s strong ties to the Baptist church and the community support them spiritually. Zach’s trials and tribulations also at first seem like the expected hazards of being a growing boy—trouble with school, an eye for mischief, and a hint of the angst that comes of being a middle child. But while there’s youthful joy in small-town living, there’s also poison under its skin in the forms of poverty, alcoholism, racism, and homophobia. When tragedy strikes the family, his father withdraws into drinking, his mother into religion, and Zach loses his fragile grip on the world as he struggles with this fractured clan, the fortitude and responsibility it requires, and his own identity. The writing in this novel is excellent, a mix of clear, no-nonsense storytelling to move the narrative forward and vibrant, nigh-poetic language to describe the play of sunlight, water, dust, greenery, and human beings that make up Zach’s universe (“Colorado mornings on the brink of spring begin with a deep purple reflection rising low on the horizon. The lavender glow spreads out and up as dawn slowly consumes the fading night....The season’s bitter freeze begins its gradual thaw, and the forest floor and frozen tundra welcome the new warmth”). At the same time, the story bravely and honestly delves into the existential questions and trials of faith that Zach undergoes, from a childhood fever dream where he’s visited by Jesus to his more conscious realizations of the unfairness of the world and what God’s role in such a place could be. Finally, straightforward, genuine dialogue gives voice and individuality to the vivid cast of characters. Zach’s joy, pain, longing, and isolation are real and palpable throughout, and every piece of the story and setting only furthers the life and experience bled onto the page.
A striking tale of coming-of-age, loss, sexuality, and self-discovery, filled with rich characters.Pub Date: May 1, 2016
ISBN: 978-1-5194-1473-1
Page Count: 308
Publisher: CreateSpace
Review Posted Online: July 21, 2016
Kirkus Reviews Issue: Sept. 15, 2016
Review Program: Kirkus Indie
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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