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THE STORY OF CHARLOTTE'S WEB

E.B. WHITE'S ECCENTRIC LIFE IN NATURE AND THE BIRTH OF AN AMERICAN CLASSIC

An affectionate biography examines the birth of an American classic.

As the subtitle indicates, Sims (Apollo’s Fire: A Day on Earth in Nature and Imagination, 2007, etc.) concentrates on White’s lifelong love of the natural world. He loved the family stable, writes the author, and roamed the undeveloped places in and around Mount Vernon, N.Y., as well as reveling in the rustic beauty of the Belgrade Lakes in Maine, where his family summered. White’s reading tastes revolved around the “true life” animal stories of Ernest Thompson Seton and his ilk, and he was also charmed by the antics of Don Marquis’ Archy and Mehitabel. White began writing early, first keeping a diary and then joining the child contributors to St. Nicholas, among whom also numbered his future wife, Katharine Sergeant. Sims also traces White’s New Yorker career, touching lightly on high points and drawing on his writings, both public and private, in which he often adopted the voices of animals. The author avoids the often-irritating tendency of literary biographers to foreshadow portentously from these early experiences, allowing readers to draw their own connections. His examination of the genesis and development of Charlotte’s Web—White worked desperately to nurse an ill pig back to health, knowing that if he was successful, he would end up killing it anyway—will thrill lovers of the novel. Sims quotes generously from White's working drafts, which were constantly in revision from the beginning. Descriptions of these pages offer both a fascinating insight into the writing process and crushing refutation of any claim that writing for children is easy. Packed with the same kind of sensory detail its subject reveled in, this account is an honorable addition to the literature of letters.

 

Pub Date: June 7, 2011

ISBN: 978-0-8027-7754-6

Page Count: 256

Publisher: Walker

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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