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THE GREAT CHARLES DICKENS SCANDAL

A sexy story resting on a bed of comprehensive scholarship and pursued with Sherlock-ian imagination.

A noted Dickens scholar and biographer traces the story of Dickens’ relationship with young actress Nelly Ternan, an affair that has titillated Dickens fans and scholars since the mid 19th century.

Slater (Victorian Literature Emeritus/Birkbeck Coll., Univ. of London; The Genius of Dickens, 2011, etc.) begins and ends with recent news and headlines related to the story—the story that, as the author shows convincingly, is not likely to go away soon. The two principal questions remain: Did Dickens and Ternan have a sexual relationship? Did she deliver Dickens’ child? Slater begins by sketching Dickens’ early romantic attachments and disappointments followed by his marriage to Catherine Hogarth, a marriage that by the late 1850s was essentially over. Dickens and his wife separated, and the story spread everywhere. One early (and false) story was that Dickens had become involved with his wife’s sister. But gradually, eyes turned to Ellen “Nelly” Ternan, a young woman in a family of actors who’d met Dickens in 1857 while performing with him in a play, The Frozen Deep. She was more than two decades younger than the phenomenally popular writer. A friendship and much more ensued. As Slater proceeds, he examines the Dickens-related biographies and scholarship and journalism to show us how each work portrayed the relationship and how each little documentary discovery prompted inference and theory. (Dickens and his heirs had done much to destroy and cover up; letters and other documents disappeared in flames.) Slater is evenhanded in his assessments and has solid praise for the work of Claire Tomalin, whose book The Invisible Woman (1991) first propelled the story toward a more general audience. Slater concludes: surely sex, probably no child.

A sexy story resting on a bed of comprehensive scholarship and pursued with Sherlock-ian imagination.

Pub Date: Nov. 13, 2012

ISBN: 978-0-300-11219-1

Page Count: 224

Publisher: Yale Univ.

Review Posted Online: Aug. 28, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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