A biting, in-depth chronicle of Nashville’s most tumultuous era told through the voices of iconic artists who used their...

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WAYLON, WILLIE, KRIS, AND THE RENEGADES OF NASHVILLE

An exposé of Nashville’s revolutionary musical period in the late 1960s, when it was overtaken by the renegades of song.

Told through the lens of three of the most genre-defying voices to hit country music since its inception—Waylon Jennings, Willie Nelson and Kris Kristofferson—author and documentary producer Streissguth (Communications and Film Studies/Le Moyne Coll.; Always Been There: Rosanne Cash, The List, and the Spirit of Southern Music, 2010, etc.) delivers an intense account of Nashville’s musical evolution, when artists, particularly Jennings, Nelson, Kristofferson and Johnny Cash, increasingly became “servants of the songs, who chased the music the way it sounded in their heads.” The author educates fans and insiders by delving into the disarming reality of these notorious superstars, delivering anecdotes of performances, drugs and misfortune. At times, the exhausting ego-driven accounts of the musicians’ careers can be a tad much, but they do not undermine Streissguth’s well-orchestrated narrative. Perhaps the most critical truth is the fact that although these men were brilliant, they had to work constantly and consistently to make it in Nashville. “Kris recalls artists who had big hits with his songs urging him to quit Hollywood,” writes the author. “The implication, of course, was that his well had run dry.…‘It was as if I was spending so much creative energy on the wrong thing, performing and movies, that my songwriting was suffering.’ ” However painful their careers might have been at this time, the impact they still hold within the industry is awe-inspiring.

A biting, in-depth chronicle of Nashville’s most tumultuous era told through the voices of iconic artists who used their music to accomplish significant changes in the music industry.

Pub Date: June 4, 2013

ISBN: 978-0-06-203818-0

Page Count: 304

Publisher: It Books/HarperCollins

Review Posted Online: Feb. 21, 2013

Kirkus Reviews Issue: March 15, 2013

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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