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APRIL IN PARIS

Despite occasional distracting anachronisms, an unsettling, unsparingly visceral evocation of occupied Paris.

Somber debut novel about a Nazi translator’s doomed infatuation with a beautiful Resistance fighter.

Wehrmacht Corporal Roth leads what John-Paul Sartre might term an inauthentic life. Newly transferred to the Rue des Saussaies offices of SS Captain Leibold, Roth employs his flawless French to interpret the confessions of French detainees elicited under torture. By night, the same linguistic facility permits him to “pass” on Paris streets as an ordinary Frenchman, “Antoine,” in a checked suit. He’s in uniform, however, when he’s first captivated by bookseller Joffo’s daughter Chantal, who works for a barber, Gustave. Jaded, world-weary interrogator Leibold is attracted to the handsome Roth, as is Leibold’s Valkyrie of a secretary, who, having seen Roth’s French doppelgänger, blackmails him into submission. A comrade, Hirschbiegel, offers his secret Paris apartment, hoping Roth will line up collaboratrices for them both. Joffo and Gustave, who run a Resistance printing press, mistake “Antoine’s” motives and try to shoot him, but he returns to warn them of an impending SS raid. Chantal, Roth and Joffo escape, but Gustave is captured and tortured the next day, while Roth takes notes. Roth and Chantal tryst at Hirschbiegel’s flat, and she tells him to avoid Turachevsky’s, a nightclub/bordello frequented by the SS, where he has seen her dance. Chantal disappears, supposedly to the country. Accompanying Leibold to Turachevsky’s for an SS Christmas party, Roth spots a woman resembling Chantal dressed as a man, carrying a bag. Non-German revelers are tiptoeing out. On a hunch, he asks Leibold to follow him; both thus survive the Resistance bombing of the SS festivities. Now a suspect, Roth is himself detained at Rue des Saussaies, where he undergoes the same savage “techniques” he’s witnessed countless times. Someone, whether Chantal or Leibold, will free him, but he’ll learn that any escape, either from his role as an Occupier or the moral ambiguity posed by his divided loyalties, is strictly a provisional move.

Despite occasional distracting anachronisms, an unsettling, unsparingly visceral evocation of occupied Paris.

Pub Date: April 3, 2007

ISBN: 0-385-51914-1

Page Count: 256

Publisher: Nan A. Talese

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2007

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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