A likable bildungsroman that cannily evokes how music transforms teenage identity.
A teenager in 1970s Detroit takes his first steps toward hard-rock rebellion after a soft-rock upbringing.
Zadoorian’s third novel (The Leisure Seeker, 2009, etc.) is narrated by Danny, a white kid in Detroit who’s slowly getting pushed out of his bubble. The 1967 race riots introduced him to racial divides, starting high school makes him absurdly anxious about becoming a drug addict, and a classmate who prankishly played the MC5’s “Kick Out the Jams” in class reveals the existence of a louder, more profane world. His father’s tastes run to the “beautiful music” of the title (the Carpenters, John Denver, etc.), but after he dies, Danny begins a slow-motion process of acting out, developing an affection for Led Zeppelin and Iggy Pop. That connects him to a fellow record nerd named John, who introduces him to the charms of British rock mags and weed. Increasingly confident thanks to John's friendship and a stint at the school radio station, Danny begins to push back against his grieving mother, who’s been drinking heavily. The novel is notable for being a coming-of-age story without a romantic peg, Danny being too emotionally formless to pursue a relationship. But Zadoorian keeps the tone upbeat in other ways: He’s skilled at capturing the feeling of release that music can provide (“something snaps in your heart and a jolt of pure happiness shoots through you better than all the dope in the world”) as well as the anxiety the novelty of that experience can produce in a sheltered kid. The emphasis on those lighter elements soft-focuses the drama of the final pages, where racial tensions and mom’s drinking come to a head. But that captures Danny’s character too: The real world is encroaching, but he can keep it at arm’s length just a while longer.
A likable bildungsroman that cannily evokes how music transforms teenage identity.Pub Date: May 1, 2018
ISBN: 978-1-61775-617-7
Page Count: 340
Publisher: Akashic
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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